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The music of "Watching the River Flow"—whose feel the journalist Bob Spitz has likened to Dylan's "Leopard-Skin Pill-Box Hat" (1966) [21] —has been described by different critics as a "[b]lues-powered sound [that cascades] like clumps of flotsam and jetsam", [22] as "featur[ing] some blistering guitar work ... and rollicking piano work from Russell", [20] and as "an energetic, funky-gospel ...
The lyrics to the song The Mountains of Mourne (originally spelt The Mountains o' Mourne) were written by Irish musician Percy French (1854–1920). The music was adapted by Houston Collisson (1865–1920) from the traditional Irish folk tune "Carrigdonn" or "Carrigdhoun".
The setting and the attire of characters in Down Down the Mountain, for example, "present authentic material folk culture" of the Appalachian region around the time of the Great Depression. A drawing of the mother making soap while "dressed in the traditional manner" as well as an illustration of the interior of the cabin, supported by a long ...
Documentarian D. A. Pennebaker, director of such musical documentary films as Dont Look Back and Monterey Pop, co-directed Down from the Mountain.. The concert portion of the film is preceded by a 30-minute section in which the various artists are seen rehearsing for the show, doing soundchecks, and talking backstage at the Ryman Auditorium.
The chord progression is also used in the form IV–I–V–vi, as in songs such as "Umbrella" by Rihanna [5] and "Down" by Jay Sean. [6] Numerous bro-country songs followed the chord progression, as demonstrated by Greg Todd's mash-up of several bro-country songs in an early 2015 video.
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Watching the River Flow [116] David Allan Coe: Gotta Serve Somebody [117] Coldplay: Simple Twist of Fate: Natalie Cole: Gotta Serve Somebody [118] Deborah Coleman: Temporary Like Achilles [42] Judy Collins: Bob Dylan's Dream [119] Mama, You Been on My Mind: Recorded as "Daddy, You've Been on My Mind" [119] Dark Eyes [120] Farewell [121] Gotta ...
One of the original early recordings of this song, issued in the UK in January 1946 on the Columbia record label (FB 3180), was by Lou Preager and his Orchestra, with vocals by Paul Rich. This was immensely popular on radio, with record and sheet music sales making it one of the biggest hits of 1946 in the United Kingdom.
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