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Two frames of a vertical filmstrip take up roughly the same amount of space as a single frame on the horizontal. Including its guard band, a vertical filmstrip could contain up to 64 images, while a horizontal oriented strip usually contained 32 images. This is based on the equivalent of a 25 exposure length of 35mm still camera film.
While black-and-white film has no color temperature itself, the silver halide grains themselves tend to be slightly more responsive to blue light, and therefore will have daylight and tungsten speeds — e.g. Kodak's Double-X stock is rated 250D/200T, since the tungsten light will give slightly less exposure than an equivalent amount of daylight.
In his feature film The Aviator (2005), Martin Scorsese seamlessly blended colorized stock footage of the Hell's Angels movie premiere with footage of the premiere's reenactment. The colorization by Legend Films was designed to look like normal three-strip film but was then color corrected to match the two-strip look of the premiere's reenactment.
A Translight or Translite is a large illuminated film backing typically used as a backdrop in the film and TV industry. The name of Translite originally came from the black-and-white display film made by the Eastman Kodak Company. Pacific Studios [1] in Los Angeles was the sole producer of Translites from about 1950 until about 1979.
The film strips, or film cards, were fed through a slide viewer similar to a View-Master, which was art deco or streamlined in style. The viewers were made of bakelite and available in multiple colors. When held up to light the images appeared in 3D. The films were based on attractive scenery, children's stories, travel, night life, and current ...
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The film base was embossed along the length of the film with microscopic lenticular bands. These lenticles were precisely shaped to focus light directly onto the emulsion in parallel strips along the length of the film from three color strips in a filter placed over the lens.
Launched in 2021, Gold Rush Pictures’ first co-financed and co-produced feature was Jessica Hausner’s “Club Zero,” which premiered in competition at the Cannes Film Festival in 2023.