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His character, the main antagonist, is on a mission to steal the "cha cha heels", which are a pair of red high heels similar to the black high heels desired by Dawn Davenport, Divine's character in the 1974 film Female Trouble. Eartha Kitt, as the owner of the shoes, instructs her henchman to retrieve them.
"Red High Heels" is a song written by Chris Lindsey, Aimee Mayo, Karyn Rochelle, and co-written and recorded by American country music artist Kellie Pickler. The song was the debut single off her debut album Small Town Girl (2006). "Red High Heels" peaked at number 15 on the Billboard Hot Country Songs chart and number 64 on the Billboard Hot 100.
The song that had the longest run atop the chart during the 1980s was "Start Me Up" by the Rolling Stones at 13 weeks from the beginning of September through the first week of December in 1981. No other song had a run of more than 10 weeks. Tom Petty (with and without the Heartbreakers) was the act with the most number ones during the 1980s with 6.
The 1980s produced chart-topping hits in pop, hip-hop, rock, and R&B. Here's a list of the best songs from the time, ranging from Toto to Michael Jackson.
The artists of the 1970s produced so many chart-topping hits we compiled a list. It includes bands and singers such as Stevie Wonder, ABBA, and Redbone.
(Despite the "New Wave Hits of the '80s" subtitle, Volume 1 actually contains no tracks from the 1980s; tracks from 1980 and later begin appearing midway through Volume 2.) Volumes 6–10 were issued on 18 October 1994, and mostly featured songs from 1982, spilling a little into 1983.
Dancing Backward in High Heels is the fifth and final studio album by the New York Dolls, and the third since their 2004 reunion.Released on March 15, 2011, on 429 Records, it contains covers of the 1946 Leon René standard "I Sold My Heart to the Junkman," and "Funky But Chic," originally from David Johansen's 1978 self titled album.
"Hi-Heel Sneakers" (often also spelled "High Heel Sneakers") is a blues song written and recorded by Tommy Tucker in 1963. Blues writer Mary Katherine Aldin describes it as an uptempo twelve-bar blues, with "a spare, lilting musical framework", and a strong vocal. [2] The song's rhythmic approach has also been compared to that of Jimmy Reed. [3]
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