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The first graduate of the academy was Bárbara María Hueva. [3] Francisco Goya was once one of the academy's directors. Its alumni include Felip Pedrell, Pablo Picasso, Kiko Argüello, Remedios Varo, Salvador Dalí, Antonio López García, Juan Luna, Fernando Amorsolo, Oscar de la Renta, Francesc Daniel Molina i Casamajó, Ricardo Macarrón, [4] Alicia Iturrioz, [5] Fernando Botero., [6] [7 ...
Pages in category "Paintings in the Real Academia de Bellas Artes de San Fernando" The following 11 pages are in this category, out of 11 total. This list may not reflect recent changes .
Real Academia de Bellas Artes de San Fernando, Madrid The Madhouse (Spanish: Casa de locos ) or Asylum (Spanish: Manicomio ) is an oil on panel painting by Francisco Goya . He produced it between 1812 and 1819 based on a scene he had witnessed at the then-renowned Zaragoza mental asylum. [ 1 ]
Real Academia de Bellas Artes de San Fernando, Madrid Self-Portrait at an Easel or Self-Portrait in the Studio is a 1790-1795 cabinet-format portrait by Francisco de Goya , now in the Real Academia de Bellas Artes de San Fernando .
Real Academia de Bellas Artes de San Fernando, Madrid The Burial of the Sardine (Spanish: El entierro de la sardina ) is an oil-on-panel painting by Spanish artist Francisco Goya , usually dated to the 1810s.
In 1867, he obtained a position as a professor of drawing at the "Colegio de San Bartolomé y Santiago". He also taught classes at the "Escuela de Artes y Oficios del Asilo de San José" and, until 1888, he held the chair of decorative composition at the "Escuela de Bellas Artes". In the evenings, he gave private lessons for free.
Real Academia de Bellas Artes de San Fernando, Madrid The Inquisition Tribunal , also known as The Court of the Inquisition or The Inquisition Scene ( Spanish : Escena de Inquisición ), is a 46-by-73-centimetre (18 by 29 in) oil-on-panel painting produced by the Spanish artist Francisco Goya between 1812 and 1819. [ 1 ]
Muguruza assumed as member of the Real Academia de Bellas Artes de San Fernando in 1938. [13] In June 1939, only 3 months after the Francoist victory in the war, he presided over the Assembly of architects in Madrid, setting the ideological foundations behind the architecture of the new regime. [14]
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