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The decision was taken by the state tourism department headed by Harish Rawat. Cheli Aipan is a government initiative, to promote the Aipan art form. [10] With an aim to promote the local art form of Uttarakhand and to encourage the artists, The Aipan Resort [11] was established in Chopta, Rudraprayag, Uttarakhand. The resort aims at bringing ...
As a result, religious tourism forms a major portion of the tourism in the state. [1] Uttarakhand is known for the natural environment of the Himalayas. 2019 Tourist Arrivals Domestic – 40,000,000 per/year and Foreigner – 150,000 per year. [2] Tourism business in Uttarakhand generated ₹ 23,000 crores during 2013–14. [3]
Aipan is the most famous folk art of Kumaon. In recent times its popularity has grown. Aipan is not only an important folk art of Kumaoni community but other ethnic groups of Kumaon, like Shaukas and Rungs, as well. Hence it also acts as a cultural link between different ethnic communities of Kumaon, therefore has significant importance.
Likhai (Hindi for 'writing') refers to the ancient woodcarving tradition of Uttarakhand, a North Indian mountain state. [1] Given the rapid urbanization in the region and migration of artisans to larger cities for more lucrative jobs, the craft is said to be on the verge of "vanishing".
Dhol Sagar (Garhwali; literally "ocean of drumming") is an ancient Indian treatise on the art of playing the dhol damau, the folk instruments of the Garhwal region of Uttarakhand. [1] It does not exist in a complete printed form, as it was transmitted orally (through percussive verses and vocable syllables) or empirically within the traditional ...
Yashodhar Mathpal (born 1939) is an Indian archaeologist, painter, curator, Gandhian and Rock art conservationist. He is most known for his study of cave art, especially in Bhimbetka rock shelters, Barechhina (Uttarakhand) and Kerala. He founded the Folk Culture Museum (Lok Sanskriti Sangrahalaya) in Bhimtal, Nainital district, in 1983. [1]
Ramman combines the sacred and the social, the ritualistic with revelry and expresses the history, faith, lifestyle, fears and hopes of the Saloor Dungra villagers through a mesh of oral, literary, visual, kinetic and traditional craft forms. It is an annual affair that children learn by watching.
He is the author of the monumental history of Uttarakhand in 18 volumes, 2 collections of poetry, 9 plays, and several edited volumes in Hindi and Garhwali. His Uttarakhand ka Itihaas (History of Uttarakhand) is widely used by scholars as reference work. He authored several books on the archeology and ecology of Uttarakhand. To his credit ...