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As a demonstration of vigorous self-expression, the Salón de Mayo has also been interpreted as a rejection of the Soviet Union's approach to artistic endeavor, an assertion on the part of Communist Cuba of its independence from the Soviet model. [6] Within Cuba, the Salón de Mayo represented the high point of free artistic expression.
(𝄆) En cadenas vivir es vivir En afrenta y oprobio sumido. Del clarín escuchad el sonido: ¡A las armas, valientes, corred! (𝄇) No temáis los feroces íberos, Son cobardes cual todo tirano. No resisten al bravo cubano; Para siempre su imperio cayó. (𝄆) ¡Cuba libre! Ya España murió, Su poder y su orgullo ¿do es ido? ¡Del clarín ...
Teatro de La Caridad was built in 1885 and is one of The Eight Grand Theaters of Cuban Colonial era along with Teatro de la Marina in Santiago de Cuba [1823], Milanes in Pinar del Río [1838], Tacón in Havana [1838], Brunet in Trinidad [1840], Principal in Camagüey [1850], Sauto in Matanzas [1863] and Terry in Cienfuegos [1890].
He is known as el maestro to differentiate him from his son, artist Luis Rodríguez Ricardo (born 1966), who calls himself el Estudiante. Both were represented in the Naïve Art from Cuba exhibition, which ran from September 11 to October 10, 1997. [19] Luis El estudiante Rodriguez is among the
The National Museum of Fine Arts of Havana (Museo Nacional de Bellas Artes de La Habana) in Havana, Cuba is a museum of fine arts that exhibits Cuban art collections from the colonial times up to contemporary generations.
Iglesia de Jesús de Miramar is the second largest church in Cuba. It is located in the Roman Catholic Archdiocese of San Cristobal de la Habana. It was begun in 1948 and inaugurated on May 28, 1953. It is constructed in the Romanesque-Byzantine style. Its architects were Eugenio Cosculluela (1893–1978) y, Guido Sutter.
Juan de Dios Alfonso Armenteros (San José de Las Lajas, 1825 – Guanabacoa, 29 June 1877), was a black Cuban band leader, composer and clarinetist. He founded the small orchestra Flor de Cuba , which played at dances and in theatres in the middle 19th century in Havana.
The work, Yo, Colón, placed Cantinflas in the role of the Paseo de la Reforma statue of Christopher Columbus, who came to life and made candid "discoveries" about contemporary Mexican society. The play was written by Alfredo Robledo and Carlos León, Federico Ruiz was the music composer and Guillermo Keys-Arenas was in charge of choreographing ...