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The ENS was established in September 1932 in Padua, [3] Italy, under the auspices of Ente Nazionale Sordomuti (ENS), the Italian Deaf Association. [4] The first president of ENS was Antonio Magarotto , [ 5 ] who was also, at that time.
Antonio Magarotto (30 June 1891 in Pojana Maggiore – 10 May 1966 in Rome) was an Italian educator, founder of the Ente Nazionale Sordi (ENS) [1] [2] and rector of the Padua Deaf institute. His son Cesare Magarotto founded the World Federation of the Deaf .
The Comitato Giovani Sordi Italiani (CGSI) (Italian Deaf Youth Committee) is an Italian non-governmental organization that acts as a peak body for national associations of Deaf people, with a focus on Deaf young people who use sign language [2] and their family and friends. [3]
An important marker for the status of a signing community is the existence and viability of a national association for the deaf. An Italian National Association of the Deaf (Ente Nazionale per la protezione e l'assistenza dei Sordi) was founded in 1932 and became a full member of the European Union of the Deaf in 1985. Objectives of this not ...
Enrico Mattei (Italian pronunciation: [enˈriːko matˈtɛi]; 29 April 1906 – 27 October 1962) was an Italian public administrator.After World War II, he was given the task of dismantling the Italian petroleum agency Agip, a state enterprise established by Fascist Italy.
) is a 1966 Italian comedy film written, directed by and starring Alberto Sordi. [ 1 ] [ 2 ] The title refers to debates on the issue of divorce , still illegal in Italy at the time of the film's release.
Mio figlio Nerone (literally: My Son Nero), released in the US as Nero's Mistress is a 1956 Italian historical comedy film directed by Steno and starring Alberto Sordi, Vittorio De Sica, Gloria Swanson and Brigitte Bardot, with cinematography by Mario Bava. [2] It depicts a visit by the Roman Emperor Nero and his entourage to a coastal villa.
The movie is a splendid example of the commedia all'italiana which Risi directs on an unusually black register where Sordi depicts an outrageously sleazy character (arrogant to his subjects, megalomaniac, a bigoted unrepentant fascist who yet longs for recognition from the businessmen who envies).