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The "Kate Middleton effect" [30] is the trend that Catherine is reported to have had on others in sales of particular products and brands. [31] [32] In 2018 a research by Brand Finance cited Catherine as "the most powerful royal fashion influencer", retaining that pieces in her wardrobe increase desirability among 38 percent of American shoppers. [31]
The trade blankets were typically dark blue duffel and decorated with buttons made from abalone or dentalium shells. [4] The central crest typically portrayed a symbol of the wearer's family heritage. [5] The blankets usually have a red border on the upper and lateral edges. A central crest figure is created from the buttons and red flannel ...
The sack-back gown or robe à la française was a women's fashion of 18th century Europe. [1] At the beginning of the century, the sack-back gown was a very informal style of dress. At its most informal, it was unfitted both front and back and called a sacque, contouche, or robe battante. By the 1770s the sack-back gown was second only to court ...
The word cassock comes from Middle French casaque, meaning a long coat.In turn, the Old French word may come ultimately from Turkish kazak (nomad, adventurer – the source of the word Cossack), an allusion to their typical riding coat, or from Persian کژاغند kazhāgand (padded garment) – کژ kazh (raw silk) + آغند āgand (stuffed). [1]
Commonly cardigans are open fronted, have buttons, and are often knitted or woven: garments that are tied are instead considered a robe. Knit garments with zippers can also be referred to as a cardigan. [2] A current fashion trend has the garment with no buttons or zipper and hangs open by design.
The main body of the dress was made in ivory and white satin gazar, using UK fabrics which had been specially sourced by Sarah Burton, with a long, full skirt designed to echo an opening flower, with soft pleats which unfolded to the floor, forming a Victorian-style semi-bustle at the back, and finishing in a short train measuring just under ...
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