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In Exodus 4:14, God was indignant at Moses' work. Moses betrayed the faith of God and he disobeyed God's will. He ordered the people of God to go to fight the Pharaoh of Egypt. The people of God obeyed His commands, and they were gone forever. In Exodus 22:21–24, helpless people, strangers, widows, and orphans suffered persecution. God was ...
It is not the ordinary form of madness, but a behavior that is consistent with the premises of a spiritual path or a form of complete absorption in God. [ 3 ] [ 5 ] DiValerio notes that comparable "mad saint" traditions exist in Buddhist, Hindu, Islamic and Christian cultures, but warns against "flights of fancy" that too easily draw ...
In a 2010 Dutch study, test subjects were primed to feel anger or fear by being shown an image of an angry or fearful face, and then were shown an image of a random object. When subjects were made to feel angry, they expressed more desire to possess that object than subjects who had been primed to feel fear.
The word "rage" is from c. 1300, meaning "madness, insanity; a fit of frenzy; rashness, foolhardiness, intense or violent emotion, anger, wrath; fierceness in battle ...
In Hindu theology, arishadvarga or shadripu (Sanskrit: षड्रिपु; meaning the six enemies) are the six enemies of the mind, which are: kama (Desire/Lust), krodha (Anger), lobha (Greed), mada (Ego), moha (Attachment), and matsarya (Jealousy) additionally alasya (laziness).
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"Sinners in the Hands of an Angry God" is a sermon written by the American theologian Jonathan Edwards, preached to his own congregation in Northampton, Massachusetts, to profound effect, [1] and again on July 8, 1741 in Enfield, Connecticut. The preaching of this sermon was the catalyst for the First Great Awakening. [2]
Dystheism as a concept, although often not labeled as such, has been referred to in many aspects of popular culture.As stated before, related ideas date back many decades, with the Victorian era figure Algernon Charles Swinburne writing in his work Anactoria about the ancient Greek poet Sappho and her lover Anactoria in explicitly dystheistic imagery that includes cannibalism and sadomasochism.