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Roger Fenton was sent by Thomas Agnew of Agnew & Sons to record the Crimean War, where the United Kingdom, the Second French Empire, the Kingdom of Sardinia, and the Ottoman Empire were fighting a war against the Russian Empire. The place of the picture was named by British soldiers The Valley of Death for being under constant shelling there. [3]
In 1858 Fenton made studio genre studies based on romantically imaginative ideas of Muslim life, such as Seated Odalisque, using friends and models who were not always convincing in their roles. [21] Although he became well known for his Crimean War photography, his photographic career lasted little more than a decade.
L'Entente Cordiale (1855) by Roger Fenton. L'Entente Cordiale is a black-and-white photograph by English photographer Roger Fenton, taken in 1855. The picture was part of the large number taken by Fenton during the Crimean War, where he was one of the first war photographers. [1] [2]
Roger Fenton was one of the first war photographers. He captured images of the Crimean War (1853–1856). The first official attempts at war photography were made by the British government at the start of the Crimean War.
For photographs of public domain originals taken from afar, may be applicable. See Commons ... 1854 - 1856''<br/> The Crimean War 1854 - 1856: Roger Fenton: A morning ...
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Roger Fenton: Crimea: Salt print [s 2] Valley of the Shadow of Death: 23 April 1855 Roger Fenton Sevastopol, Crimea Wet collodion negative Fenton's pictures during the Crimean War were one of the first cases of war photography, with Valley of the Shadow of Death considered "the most eloquent metaphor of warfare" by The Oxford Companion to the ...
Pasha and Bayadère (1858) by Roger Fenton. Pasha and Bayadère is a black and white photograph by English photographer Roger Fenton, taken in 1858. It belongs to a group of pictures where Fenton staged scenes inspired by the Middle East exoticism and also by the artistic movement of orientalism. [1] [2]