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"The Morning After" is a song written by Al Kasha and Joel Hirschhorn for the 1972 film The Poseidon Adventure, winning Best Original Song at the 45th Academy Awards. [1] Following this success, Maureen McGovern recorded a single version that became a No. 1 hit in the US for two weeks during August 1973, with Gold record sales. [2]
The Morning After is the second studio album by American rock band The J. Geils Band. The album was released in October 1971, by Atlantic Records. The song "Cry One More Time" was later covered by Gram Parsons on his first solo album.
The album was released by popular demand following an Academy Award win for Best Song for "The Morning After", written by Al Kasha and Joel Hirschhorn. After the song's subsequent rise up the Billboard Top 100 charts, the eponymous album was released, eventually peaking in September at #77 on the Billboard Hot 200 list of popular albums.
Once upon a time, Jordan's morning routine included a soundtrack of Tupac, Notorious B.I.G., Lil Wayne and Nas. Now it includes Corey Hart's 1983 hit "Sunglasses at Night." "He loves that song ...
The song "Big Bird" by AJJ on their 2011 album Knife Man references the Genovese murder. Korean indie rock band Nell wrote the song "Dear Genovese" for their album Newton's Apple in 2014, inspired by these events. [95] The Smiths song "Death of a Disco Dancer" on the 1987 album Strangeways Here We Come was inspired by the murder. [96]
Whichever fromage you decide to use, make sure to grate it up and lay a nice hefty handful on top of one slice of bread. Then pile on half an avocado and eat the rest.
Maureen Therese McGovern (born July 27, 1949) is an American singer and Broadway actress, well known for her renditions of the songs "The Morning After" from the 1972 film The Poseidon Adventure; "We May Never Love Like This Again" from The Towering Inferno in 1974; [1] [2] and her No. 1 Billboard adult contemporary hit "Different Worlds", the theme song from the television series Angie.
With the cohesive and captivating Morning After, dvsn have used soothing vocals and layered beats to paint a sonic portrait of modern R&B." [14] Pitchfork contributor Marcus J. Moore also praised both Daley's "delicate and powerful voice" and Nineteen85's "shadowy, cinematic" production for crafting a heartbreak album that captures the "essence ...