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Justine Conry said that Dunkirk has an "anxiety-inducing score" rather than the emotional, incredible, dramatic and heroic scores, with the use of Shepard tone. He wrote: "Zimmer, to a greater effect, uses the sound of ticking clocks for the “Shepherd tone.”
Dunkirk garnered awards and nominations in various categories with particular praise for Nolan's directing as well as the film's visual effects, cinematography, sound effects, and editing. It received eight nominations at the 90th Academy Awards including Best Picture and Best Director for Nolan, his first Academy Award nomination in that category.
"Wicked Wind - Designing Sound for Master & Commander" The New Yorker; Short "Dunkirk & The Art of Sound Editing" Forbes "An Interview with Sound Designer Richard King" Gold Derby "Designing the Sound for Inception" DesigningSound.com "Immersing An Audience In World War 2" Deadline.com "Behind the Scenes from Dunkirk & The Dark Knight Rises ...
Best Sound Editing Dunkirk (Richard King & Alex Gibson) Best Sound Mixing Dunkirk (Mark Weingarten, Gregg Landaker & Gary A. Rizzo) Best Production Design The Shape of Water (Paul Denham Austerberry, Shane Vieau & Jeff Melvin) Best Cinematography Call Me by Your Name (Sayombhu Mukdeeprom) Blade Runner 2049 (Roger Deakins) Best Makeup and ...
Gregg Landaker (born 1951) is a retired American re-recording mixer.He won four Academy Awards for Best Sound and has been nominated for five more in the same category. He worked on 207 films from 1979 until his retirement in 2017, when he decided that the film Dunkirk would be the final film he would work on.
Mark Mangini (born 1956) is an American sound editor with over 125 film credits. He has won two Academy Awards, in 2021 for Best Sound for Dune and in 2015 for Best Sound Editing along with David White for their work on Mad Max: Fury Road.
Donald Sylvester is an American sound editor who has worked on over 100 films. He is best known for his work with James Mangold on the films Ford v Ferrari (2019), Logan (2017), 3:10 to Yuma (2007), and Walk the Line (2005). [1]
Year Film Winners/Nominees 1998 Best Sound Editing – Direct to Video – Sound Young Hercules: Mathew Waters (supervising sound editor); Tim Boggs (supervising ADR editor); Dorian Cheah, Lisle Engle, George Haddad, Michael Mullane, Kelly Vandever (sound effects editors); Tony Suraci (Foley editor); Louis Creveling, Jason George, Danielle Ghent, Robert Jackson (dialogue editors)
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