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Woman Reading is a 19th-century (portrait painting) by Susan Macdowell Eakins. It is in the collection of the Metropolitan Museum of Art. [1] Woman Reading probably depicts the artist's sister Elizabeth Macdowell Kenton. It is one of Eakins' many portraits of her family members in interior settings. [1]
Self-Portrait (Kramskoi) Self-Portrait (Chassériau) Self-Portrait at 69 years; Self-Portrait in a Hat; Self-Portrait of the Artist with her Father; Self-Portrait with Palette (Manet) Self-Portrait with the Yellow Christ; The Spanish Singer; Portraits at the Stock Exchange; Symphony in White, No. 1: The White Girl; Symphony in White, No. 2: The ...
Susanna Paine, also known as Susannah and Susan [1] (June 9, 1792 – November 10, 1862), was an American portrait artist in New England in the 19th century. She published poetry, a Christmas hymn, a novel, and an autobiography entitled Roses and Thorns, or Recollections of an Artist.
Furthermore, art historian Anne Higonnet argued in 2011 that the work is a self-portrait. [ 6 ] Villers exhibited Study of a young woman sitting on a window and two other works at the Salon of 1801, followed at the Salon of 1802 by a genre painting entitled A child in its cradle and A Study of a Woman from Nature . [ 7 ]
Gallery of Beauties The Nymphenburg Palace seen from its park. The Gallery of Beauties (German: Schönheitengalerie) is a collection of 38 portraits of the most beautiful women from the nobility and bourgeoisie of Munich, Germany, gathered by King Ludwig I of Bavaria in the south pavilion of his Nymphenburg Palace. [1]
She was one of the "New Women" of the 19th century successful, highly trained women artists who never married, like Ellen Day Hale, Mary Cassatt, Elizabeth Coffin and Cecilia Beaux. [8] Hale, Nourse, and Coffin "created compelling self-portraits in which they fearlessly presented themselves as individuals willing to flout social codes and ...
Her oil portraits were quickly sought after by congressmen, diplomats, and other wealthy individuals in the Maryland area. [11] Her portrait work is regarded as stylistically unique due to her usage of detailed furs, lace, and fabrics as well as realistic faces, skin, and hair. [2] Basket of Berries, 1860
Women artists of the early part of the 19th century include Marie-Denise Villers, who specialized in portraiture; Constance Mayer, who painted portraits and allegories; Marie Ellenrieder, who was noted mainly for her religious paintings in the Nazarene style; Louise-Adéone Drölling, who followed in the footsteps of her father and her older ...