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As he neared the coast a fog descended and he was confused about the direction. He saw some lights on a pub and decided to stop. The pub was called The Harbour Lights. Some time later he wrote the lyric and music was added. The song Harbour Lights was recorded by the Platters and many others. A blue plaque is today fixed to the wall of the pub.
He was also the first to record and release the classic song "Daddy" in 1941, which hit no. 1 and which was recorded by other bands and singers. Shortly after the Japanese attack on December 7, 1941, Kaye wrote the music and Don Reid wrote the words to "Remember Pearl Harbor", the tune of which was based on Ohio University's "Alma Mater". On ...
"Music, Music, Music" Teresa Brewer: 7 "Third Man Theme" Guy Lombardo: 8 "Chattanoogie Shoe Shine Boy" Red Foley: 9 "Harbor Lights" Sammy Kaye: 10 "It Isn't Fair" Sammy Kaye & Don Cornell: 11 "If I Knew You Were Coming I'd have Baked a Cake" Eileen Barton with Morty Craft: 12 "Bonaparte's Retreat" Kay Starr with Lou Busch: 13 "Tzena, Tzena ...
2 Other music in the film. 3 Personnel. 4 External links. Toggle the table of contents. ... "Harbor Lights" (Wilhelm Grosz, Jimmy Kennedy) – 3:22; Other music in ...
"Harbour Lights" (song), a 1937 song by Hugh Williams (pseudonym for Will Grosz) with lyrics by Jimmy Kennedy; Harbor Lights (Bruce Hornsby album), 1993; Harbor Lights (Cristy Lane album), 1985 "Harbor Lights", a track from the 1976 Boz Scaggs' album Silk Degrees "Harbour Lights", a track from the 2012 A Silent Film album Sand & Snow
Unlike earlier albums, Harbor Lights allowed more space for Hornsby's and guest-players' "extended instrumental" solos to "flow naturally" out of the songs. [2] The tone was set by the opening title track, which after 50 seconds of expansive solo piano lurches into an up-tempo jazz number, ending with Metheny's guitar runs. The album closes in ...
Harbor Lights is a studio album by American Christian and country music singer Cristy Lane. It was released in 1985 via LS Records. The original album contained a total of 14 tracks featuring a mixture of country and traditional pop music standards. It was Lane's twelfth studio recording in her career.
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