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Phenomenal Woman: Four Poems Celebrating Women is a book of poems by Maya Angelou, published in 1995. [1] The poems in this short volume were published in Angelou's previous volumes of poetry. "Phenomenal Woman," "Still I Rise," and "Our Grandmothers" appeared in And Still I Rise (1978) and "Weekend Glory" appeared in Shaker, Why Don't You Sing ...
Winifred Emma May (4 June 1907 – 28 August 1990) was a poet from the United Kingdom, best known for her work under the pen name Patience Strong.Her poems were usually short, simple and imbued with sentimentality, the beauty of nature and inner strength.
Print shows Maud Muller, John Greenleaf Whittier's heroine in the poem of the same name, leaning on her hay rake, gazing into the distance. Behind her, an ox cart, and in the distance, the village "Maud Muller" is a poem from 1856 written by John Greenleaf Whittier (1807–1892). It is about a beautiful maid named Maud Muller.
Many of Angelou's poems are about love and relationships. For example, all the poems in the first section of Diiie focus on love. [36] In Southern Women Writers, Carol A. Neubauer states that they "describe the whole gamut of love, from the first moment of passionate discovery to the first suspicion of painful loss". [37]
The World's Wife is Carol Ann Duffy's fifth collection of poetry. Her previous collection, Standing Female Nude, is tied to romantic and amorous themes, while her collection The Other Country takes a more indifferent approach to love; The World's Wife continues this progression in that it critiques male figures, masculinity, and heterosexual love to instead focus on forgotten or neglected ...
Leaves of Grass (Book XXXI.) ; The Patriotic Poems IV (Poems of Democracy) Thou Orb Aloft Full-Dazzling " Thou orb aloft full-dazzling! thou hot October noon!" Leaves of Grass (Book XXXII. From Noon to Starry Night) 1855 Thou Reader " Thou reader throbbest life and pride and love the same as I," Leaves of Grass (Book I. Inscriptions) Thought
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A prodigy as a child, Wheatley was the first black person to publish a book of poems in the American colony, and though her poems are sometimes thought of as expressing "meek submission," she is also what Camille Dungy describes as "a foremother," and a role model for black women poets as "part of the fabric" of American poetry. [21]
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