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  2. Comparison of video codecs - Wikipedia

    en.wikipedia.org/wiki/Comparison_of_video_codecs

    The quality the codec can achieve is heavily based on the compression format the codec uses. A codec is not a format, and there may be multiple codecs that implement the same compression specification – for example, MPEG-1 codecs typically do not achieve quality/size ratio comparable to codecs that implement the more modern H.264 specification.

  3. Comparison of H.264 and VC-1 - Wikipedia

    en.wikipedia.org/wiki/Comparison_of_H.264_and_VC-1

    VC-1 H.264; Goals Designed to offer very high image quality with excellent compression efficiency [1]: Designed to meet a variety of industry needs with many profiles and levels, allowing for varying compression, quality and CPU usage levels, where the lowest level is for portable devices, designed with low CPU usage in mind, while the high levels are designed with very high quality and ...

  4. AV1 - Wikipedia

    en.wikipedia.org/wiki/AV1

    AOMedia Video 1 (AV1) is an open, royalty-free video coding format initially designed for video transmissions over the Internet. It was developed as a successor to VP9 by the Alliance for Open Media (AOMedia), [2] a consortium founded in 2015 that includes semiconductor firms, video on demand providers, video content producers, software development companies and web browser vendors.

  5. VP9 - Wikipedia

    en.wikipedia.org/wiki/VP9

    In a subjective quality comparison conducted in 2014 featuring the reference encoders for HEVC (HM 15.0), MPEG-4 AVC/H.264 (JM 18.6), and VP9 (libvpx 1.2.0 with preliminary VP9 support), VP9, like H.264, required about two times the bitrate to reach video quality comparable to HEVC, while with synthetic imagery VP9 was close to HEVC. [36]

  6. Apple ProRes - Wikipedia

    en.wikipedia.org/wiki/Apple_ProRes

    Apple ProRes is a high quality, "visually lossless" lossy video compression format developed by Apple Inc. for use in post-production that supports video resolution up to 8K.It is the successor of the Apple Intermediate Codec and was introduced in 2007 with Final Cut Studio 2. [1]

  7. Comparison of high-definition optical disc formats - Wikipedia

    en.wikipedia.org/wiki/Comparison_of_high...

    Initial Blu-ray Disc titles often used MPEG-2 video, which requires the highest average bitrate and thus the most space, to match the picture quality of the other two video codecs. As of July 2008 over 70% of Blu-ray Disc titles have been authored with the newer compression standards: AVC and VC-1. [ 6 ]

  8. Comparison of video container formats - Wikipedia

    en.wikipedia.org/wiki/Comparison_of_video...

    Some containers only support a restricted set of video formats: DMF only supports MPEG-4 Visual ASP with DivX profiles. EVO only supports MPEG-4 AVC, MPEG-1 Video, MPEG-2 Video and VC-1. F4V only supports MPEG-4 AVC, MPEG-4 Visual and H.263. FLV only supports MPEG-4 Visual, VP6, Sorenson Spark and Screen Video. MPEG-4 AVC in FLV is possible ...

  9. MPEG-1 - Wikipedia

    en.wikipedia.org/wiki/MPEG-1

    MPEG-1 is a standard for lossy compression of video and audio.It is designed to compress VHS-quality raw digital video and CD audio down to about 1.5 Mbit/s (26:1 and 6:1 compression ratios respectively) [2] without excessive quality loss, making video CDs, digital cable/satellite TV and digital audio broadcasting (DAB) practical.