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The pottery factory that started in 1861 continues to the present day under the names of Red Wing Pottery and Red Wing Stoneware. [ 1 ] [ 2 ] There was a respite in production when Red Wing Pottery Sales, Inc. had a strike in 1967 causing them to temporarily cease trading.
The Kerch style / ˈ k ɜːr tʃ /, also referred to as Kerch vases, is an archaeological term describing vases from the final phase of Attic red-figure pottery production. Their exact chronology remains problematic, but they are generally assumed to have been produced roughly between 375 and 330/20 BC.
Cylindrical vases and plates were popular because they maximized the surface area for storytelling through imagery on each piece. There was more evolution in pictorial representations than shapes. As the complexity of painting increased, vessel shapes remained fairly simple. [ 2 ]
Red-mark period tea cup and saucer Puce-mark period cup and saucer. Rockingham porcelain was produced in two distinct periods: 1826–1830, the so-called red-mark period, [7] and 1831–1842, the puce-mark period. [8] As their names suggest, these periods are defined by the backstamps found on porcelain.
Brilliant red Fiesta (and indeed the red glazes produced by all U.S. potteries of the era) is known for having a detectable amount of uranium oxide in its glaze, which produced the orange-red color. [7] During World War II, the government took control of uranium for development of the atom bomb, and confiscated the company's stocks. [10]
Plates from the Antichita were copied in London in 1773. [9] Another volume on paintings came out in 1779. [8] An abridged version of the book was published in 1789. [9] The last volume, in 1792, depicted lamps and candelabras. [8] The volumes do not include depictions of the marbles. [6]
In 1942, [6] after three years of experimentation, Gladding, McBean & Co. entered the fine china market with 14 patterns. The china was considered to have a medium to high cost. [ 7 ] The glaze for the fine china line was developed by Max Compton with the shapes and patterns designed by Mary K. Grant, the design staff, and by contract designers.
Lustre appears in Italian maiolica around 1500, and became a speciality of two relatively minor pottery towns, Gubbio, noted for a rich ruby-red, and Deruta. [2] Around 1550 an even smaller town, Gualdo Tadino , also began to make some, for about a century, [ 3 ] which was the last Renaissance lustre, Gubbio having stopped about 1570, and ...
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