Search results
Results from the WOW.Com Content Network
Saura painting is a style of wall mural paintings associated with the Saura tribals of the state of Odisha in India. These paintings, also called ikons (or ekons ) are visually similar to Warli paintings and hold religious significance for the Sauras.
Painting Image Artist Year Date of sale Seller Buyer Auction house $0.03 million Magdalen in the Desert: Antonio da Correggio: 1746: Augustus III of Poland: Private sale [171] $0.04 million (110,000 French francs) Sistine Madonna: Raphael: c. 1513–1514 1759: Piacenza: Augustus III of Poland: Private sale [171] $0.08 million (£16,000 ...
The Sora (alternative names and spellings include Saora, Saura, Savara and Sabara) are a Munda ethnic group from eastern India. They live in southern Odisha and north coastal Andhra Pradesh . The Soras mainly live in Gajapati , Rayagada and Bargarh districts of Odisha. [ 2 ]
Savara may refer to: Savara people or Sora people; Savara language (Munda), or Sora, in India; Savara language (Dravidian), in India; Savara, a genus of moths in the family Erebidae; Savara, a planet in the computer game Tyrian
The outer panels form a single image, Saint Gregory's Mass, rendered in grisaille. Saint Gregory's Mass c. 1491–1498 Oil on wood 138 × 144 cm Museo del Prado, Madrid, Spain The outer panels form a single image, Saint Gregory's Mass, rendered in grisaille. The Garden of Earthly Delights c. 1495–1505 Oil on wood 220 × 389 cm
The 100 most popular art museums in the world in 2022, divided by countries and continents. In 2023, total attendance in the most-visited art museums returned largely to the level of 2019, for the first time since the COVID-19 pandemic began.
Shakuntala or Shakuntala looking for Dushyanta is an 1898 epic painting by Indian painter Raja Ravi Varma. Ravi Varma depicts Shakuntala , an important character of Mahabharata , pretending to remove a thorn from her foot, while actually looking for her husband/lover, Dushyantha , while her friends tease her and call her bluff.
And plunk you back down into Rome in the 17th century, or Amsterdam or the Spanish Civil War.” [14] (4:10) Further he states that he aimed to make viewers feel the very situations of the painting, “To make the hair stand on the back of your neck, at this moment of panic or crisis, or drama, drama of the creative moment,” [14] (4:30 ...