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Although tempo is described or indicated in many different ways, including with a range of words (e.g., "Slowly", "Adagio", and so on), it is typically measured in beats per minute (bpm or BPM). For example, a tempo of 60 beats per minute signifies one beat per second, while a tempo of 120 beats per minute is twice as rapid, signifying two ...
The adagio sostenuto tempo has made a powerful impression on many listeners; for instance, Berlioz commented that it "is one of those poems that human language does not know how to qualify". [23] Beethoven's student Carl Czerny called it "a nocturnal scene, in which a mournful ghostly voice sounds from the distance". [1]
Adagio: ad agio, at ease: Slow and easy (but not as slow as largo) Adagietto: a bit at ease: 1. Slightly less easy than adagio (so slightly faster); 2. a short adagio composition Affrettando: becoming hurried: Accelerating Alla marcia: as a march: In strict tempo at a marching pace (e.g. 120 BPM) Allargando: broadening
Fast velocità Speed; con velocità: with speed velocissimo As fast as possible; usually applied to a cadenza-like passage or run via Away, out, off; as in via sordina or sordina via: 'mute off' vibrato Vibrating (i.e. a more or less rapidly repeated slight variation in the pitch of a note, used as a means of expression).
Rachmaninoff in the early 1900s. The Piano Concerto No. 2 in C minor, Op. 18, is a concerto for piano and orchestra composed by Sergei Rachmaninoff between June 1900 and April 1901.
The left hand plays almost identical figures throughout Adagio sostenuto. [14] The piece is similar to the form of a barcarolle, a folk song with a rhythmic tuplet accompaniment. Playing it takes approximately five minutes, and it is 53 measures long, the shortest in terms of measures. [2]
This concerto is one single, long movement, divided into six sections that are connected by transformations of several themes: . Adagio sostenuto assai The key musical idea of this concerto is first heard in the first clarinet, accompanied by no more than four other woodwinds: a sequence of two chords—an A major chord with a C ♯ on top, then a dominant seventh on F ♮.
The most vigorous of the three trios is perhaps the G major, with the fast movements' thematic richness and almost symphonic elaborations especially in the first Allegro. The Adagio in E major resembles in its beauty and melancholic atmosphere other slow movements written by Beethoven at that time. The trio ends with a brilliant and virtuoso ...