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The Foundling Hospital Anthem (HWV 268), also known by its longer title "Blessed are they that considereth the poor" , [a] is a choral anthem composed by George Frideric Handel in 1749. It was written for the Foundling Hospital in London and was first performed in the chapel there. Handel wrote two versions, one for choir only and one for choir ...
The following lists contains all the hymns composed by Sankey that are found in the "1200" edition of Sacred Songs and Solos. Many of these hymns are also found in the six-volume collection, Gospel Hymns and Sacred Songs, which Sankey edited with Philip Bliss and others, which was published in the United States between 1876 and 1891. [1]
Text incipit of the harmonised hymn. Information regarding which part of the hymn Bach used is given in parentheses, typically verse numbers indicated by "v." Hymn titles without such information as in (untexted) chorale harmonisation collections. 2 Zahn Zahn number of the chorale melody. When the data in the Zahn column starts with N that ...
Harmonisation of a blessing song by Norbert Hauner or Michael Haydn: WAB add 268: Tenebrae factae sunt: G minor: Responsory: Choir, organ, three trombones: 1878: Accompaniment by trombones added to a responsory by Franz Joseph Aumann WAB add 321: Walzer: G major: Lied: Voice and piano: c. 1850: Folk song Juheisa juhei, ihr Tänzer herbei ...
Sacred Songs and Solos is a hymn collection compiled by Ira David Sankey, who partnered Dwight Lyman Moody in a series of evangelical crusades from 1870 until Moody's death in 1898. The collection first appeared in 1873, [ 1 ] and has subsequently been published in many editions and formats, expanding to a final volume of 1200 pieces that ...
Suzannah Clark, a music professor at Harvard, connected the piece's resurgence in popularity to the harmonic structure, a common pattern similar to the romanesca.The harmonies are complex, but combine into a pattern that is easily understood by the listener with the help of the canon format, a style in which the melody is staggered across multiple voices (as in "Three Blind Mice"). [1]
Sebastian began his harmonica soloist career in the late 1930s playing nightclubs and cabarets, where his repertoire initially included swing music. Because very little classical music had been written for the harmonica, Sebastian painstakingly transcribed and adapted suitable works that had been composed for other wind instruments or for violin.
For example, according to Köchel's counting, Requiem in D minor is the 626th piece Mozart composed, thus is designated K. 626. Köchel's original catalogue (1862) has been revised several times. Catalogue numbers from these revised editions are indicated either by parentheses or by superscript: K. 49 (47d) or K. 6 47d refers to the work ...