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Steve Leggett, in his review of the album for AllMusic, called "Cover Me Up" a "beautiful opening love song". [4] Writing for Paste, Jerrick Adams stated in a review of Southeastern that " on the one hand a gentle, insistent love song, and on the other a moving testament to personal redemption that never once turns a blind eye to past indiscretions.
"Cover Me" is a song by English electronic music band Depeche Mode, released on October 6, 2017, via Columbia label. It is the third single from their fourteenth studio album, Spirit . [ 1 ] [ 2 ] The released single consists of several remixes of songs "Cover Me" and "So Much Love". [ 3 ]
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The chord progression is also used in the form IV–I–V–vi, as in songs such as "Umbrella" by Rihanna [5] and "Down" by Jay Sean. [6] Numerous bro-country songs followed the chord progression, as demonstrated by Greg Todd's mash-up of several bro-country songs in an early 2015 video.
The vi chord before the IV chord in this progression (creating I–vi–IV–V–I) is used as a means to prolong the tonic chord, as the vi or submediant chord is commonly used as a substitute for the tonic chord, and to ease the voice leading of the bass line: in a I–vi–IV–V–I progression (without any chordal inversions) the bass ...
ii–V–I progression, in C, illustrating the similarity between them Subdominant, supertonic seventh, and supertonic chords. According to Richard Franko Goldman's Harmony in Western Music, "the IV chord is, in the simplest mechanisms of diatonic relationships, at the greatest distance from I. In terms of the [descending] circle of fifths, it ...
Christopher Hamill (born 19 December 1958), known professionally as Limahl (/ l ɪ ˈ m ɑː l / lim-AHL, an anagram of Hamill), is an English pop singer.He was the lead singer of the pop group Kajagoogoo beginning in 1982, before embarking on a solo career, garnering the 1984 hit "The NeverEnding Story", the theme song for the film of the same name.
The singer re-recorded "Cover Me" on May 12 at the Power Station, also in New York City, for the version that would later appear on Born in the U.S.A.; he did nine takes. [2] In the couple of years leading up to Born in the U.S.A.'s release, Springsteen recorded about 70 songs as the pool of tracks considered for the album. [6]
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