Search results
Results from the WOW.Com Content Network
A launch status check, also known as a "go/no go poll" and several other terms, occurs at the beginning of an American spaceflight mission in which flight controllers monitoring various systems are queried for operation and readiness status before a launch can proceed.
No Dice is the third studio album by British rock band Badfinger, issued by Apple Records and released on 9 November 1970. Their second album under the Badfinger name, but their first official album under that name, and first to include guitarist Joey Molland, No Dice significantly expanded the British group's popularity, especially abroad.
The first four bars of Bach's Prelude in C-sharp Major, BWV 848. The prelude is a lively 2-part texture, using a series of broken chords which swap between the hands. It is in a fast 3/8 time signature and is made up largely of semiquavers.
When you brush your teeth can make a big difference in your oral health.
Starting with no sharps or flats (C major), adding the first sharp (F ♯) indicates G major, adding the next (C ♯) indicates D major, and so on through the circle of fifths. Some keys (such as C ♯ major with seven sharps) may be written as an enharmonically equivalent key (D ♭ major with five flats in this case).
AllMusic critic Ritchie Unterberger said that "No Matter What" "boasted a strong McCartney-esque melody and very Beatlesque vocal harmony and guitars but felt that "derivative of McCartney it might have been, yet 'No Matter What' rocked a darn sight better than most of the songs McCartney himself put out in the early '70s." [2]
The Prelude and Fugue in G-sharp minor, BWV 887, is the eighteenth prelude and fugue in the second volume of The Well-Tempered Clavier by Johann Sebastian Bach. It was written in 1738. It was written in 1738.
with this set of chosen notes in bold face, and some of the omitted notes shown in grey. [e]This limitation on the set meantone notes and their sharps and flats that can be tuned on a keyboard at any one time, was the main reason that Baroque period keyboard and orchestral harp performers were obliged to retune their instruments in mid-performance breaks, in order to make available all the ...