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Tears for Sale, also known internationally as Charleston & Vendetta or also as Funeral Brides (original title in Serbian: Чарлстон за Огњенку, Čarlston za Ognjenku, literal translation Charleston for Ognjenka, French: Charleston et Vendetta), is a 2008 Serbian drama film.
Life in Slow Motion debuted at No. 1 on the Irish Albums Chart, staying for three weeks at the top before dropping to No. 4.In the United Kingdom a week after release in Ireland, it debuted also at No. 1 on the UK Albums Chart, spending two weeks at No. 1 before dropping to #3; it spent seven weeks in the top 10 and 25 weeks in the top 75.
All Inclusive (2008 film) All My Life (2008 film) All Roads Lead Home; All That She Wants (film) All Together Now (2008 film) Allah Made Me Funny: Live in Concert; Allan Quatermain and the Temple of Skulls; L'allenatore nel pallone 2; Alone (2008 film) Alone in the Dark II (film) The Alphabet Killer; Already Dead (film) AM1200 (film) Amália (film)
Gonzo: The Life and Work of Dr. Hunter S. Thompson; The Greatest Silence: Rape in the Congo; I.O.U.S.A. Nerakhoon (The Betrayal) The Order of Myths; Patti Smith: Dream of Life; Roman Polanski: Wanted and Desired; Secrecy; Slingshot Hip Hop; Traces of the Trade: A Story from the Deep North; Trouble the Water
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Gray recorded the album, his first set of new songs since 2005's Life in Slow Motion, in his own studio—The Church Studios—while unsigned to a record label. [11] The studio previously belonged to the Eurythmics, and when Gray invited Annie Lennox to guest-record the duet "Full Steam," she reprimanded him for not changing the carpets.
It was released on 29 August 2005 as the first single from his seventh studio album, Life in Slow Motion (2005). The song was produced by Marius de Vries and is Gray's second-highest achievement on the UK Singles Chart, peaking at number eight. Worldwide, the song reached number six in Ireland and number 31 in New Zealand.
Slow motion video of a glass cup smashing on a concrete floor. Slow motion (commonly abbreviated as slow-mo or slo-mo) is an effect in film-making whereby time appears to be slowed down. It was invented by the Austrian priest August Musger in the early 20th century.