Search results
Results from the WOW.Com Content Network
The List of artists in the Philadelphia Museum of Art handbook of the collections is a list of the artists indexed in the Philadelphia Museum of Art museum guide. The guide, with an introduction by Anne D'Harnencourt, was produced as a 25th anniversary gift by the Museum Associates in 1995.
Henry P. McIlhenny (1910–1986), art and antique connoisseur, philanthropist, curator, and Philadelphia Museum of Art chairman; John Moran (1831–1902), photographer and artist; Alice Neel (1900–1984), painter; Albert Newsam (1809–1864), born deaf and former artist [8] Linda Nochlin (1931–2017), feminist art historian and Bryn Mawr ...
Categories and articles related to notable musicians presently or previously from Philadelphia. For musical groups associated with Philadelphia, see Category:Musical groups from Philadelphia . The main articles for this category are List of people from Philadelphia and Music of Philadelphia .
Pages in category "Artists from Philadelphia" The following 200 pages are in this category, out of approximately 418 total. This list may not reflect recent changes .
Philadelphia's gospel heritage stretches back to Charles Albert Tindley, a local reverend, [28] who composed many important hymns. Tindley's "I Do, Don't You" inspired the composer Thomas A. Dorsey, who credited Tindley with the innovation of gospel music. Tindley composed most of his works between 1901 and 1906, and was known for his booming ...
Philadelphia Contemporary is an arts organization that commissions and presents contemporary visual art, performance art, and spoken word. [1] It was founded in 2016 with the intention to build a new non-collecting museum in Philadelphia for contemporary art in all of its forms.
Pages in category "Jazz musicians from Philadelphia" The following 104 pages are in this category, out of 104 total. This list may not reflect recent changes .
In jazz music, on the other hand, such chords are extremely common, and in this setting the mystic chord can be viewed simply as a C 13 ♯ 11 chord with the fifth omitted. In the score to the right is an example of a Duke Ellington composition that uses a different voicing of this chord at the end of the second bar, played on E (E 13 ♯ 11 ).