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There is a small group of spectacular imperial engraved gems, cameos carved in contrasting colours of stone.These are sometimes called "State Cameos", [11] that presumably originated, and were probably only seen, in the inner court circle of Augustus, as they show him with divine attributes that were still politically sensitive, and in some cases have sexual aspects that would not have been ...
Title page of the 1645 edition of Icones Imperatorum Romanorum.The figures depicted are Constantine the Great (left), Julius Caesar (center) and Rudolf I (right).. Icones Imperatorum Romanorum ('Images of the Emperors of the Romans'), originally published under the title Vivae omnium fere imperatorum imagines, is a 1557 originally Latin-language numismatic and historical work by the Dutch ...
Service in the legions was limited to property-owning Roman citizens, normally those known as iuniores (age 16–46). The army's senior officers, including its commanders-in-chief, the Roman consuls, were all elected annually at the People's Assembly. Only equites (members of the Roman knightly order) were eligible to serve as senior officers.
The Imperial Roman Army was the military land force of the Roman Empire from 27 BC to 476 AD, [1] and the final incarnation in the long history of the Roman army. This period is sometimes split into the Principate (27 BC – 284 AD) and the Dominate (284–476) periods.
This is an accepted version of this page This is the latest accepted revision, reviewed on 17 February 2025. A retiarius ("net fighter") with a trident and cast net, fighting a secutor (79 AD mosaic). There were many different types of gladiators in ancient Rome. Some of the first gladiators had been prisoners-of-war, and so some of the earliest types of gladiators were experienced fighters ...
Category: Roman Empire art. ... Warrior relief of Efrenk This page was last edited on 31 October 2020, at 22:53 (UTC). Text is available under the ...
It has also been suggested that this woodcut was one of a number of Renaissance images that were made to reflect contemporary doubts as to the authenticity of the Laocoön Group, the 'aping' of the statue referring to the incorrect pose of the Trojan priest who was depicted in ancient art in the traditional sacrificial pose, with his leg raised ...