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The song's lyricist and composers are Clarke, Muir and Abrahams. Clarke also wrote "Second Hand Rose". "Ragtime Cowboy Joe" was composed in Brooklyn after an appearance at the home of Abrahams by his nephew, Joe Abrahams, wearing a cowboy outfit.
The original flavors, and their names, were Goofy Grape, Rootin'-Tootin' Raspberry, Freckle Face Strawberry, Loud-Mouth Lime, Injun Orange, and Chinese Cherry. These last two, being ethnic stereotypes considered offensive by that time, were soon revamped to Jolly Olly Orange and Choo Choo Cherry, respectively.
Woody's Roundup: A Rootin' Tootin' Collection of Woody's Favorite Songs (or simply Woody's Roundup) is a studio recording released by the Western band Riders in the Sky on August 29, 2000. It was released on Compact Disc.
Owens and Starr went on to record a duet version in 1989. The song was also covered by Betty Willis in 1978, and by Riders in the Sky in 2000 for the album Woody's Roundup: A Rootin' Tootin' Collection of Woody's Favorite Songs.
In 1964, Pillsbury introduced Funny Face Drink Mix with the names Goofy Grape, Rootin' Tootin' Raspberry, Freckle Face Strawberry, Loud Mouth Lime, Chinese Cherry (later Choo-Choo Cherry), and Injun Orange (later Jolly Olly Orange). Lefty Lemon followed in 1965, along with other flavors.
Riders in the Sky is an American Western music and comedy group which began performing in 1977. [1] The band has released more than 40 albums, starred in a single-season self-titled television series on CBS, wrote and starred in an NPR syndicated radio drama Riders Radio Theater, and appeared in television series and films including as featured contributors to Ken Burns' Country Music.
The 2025 inductees to the Songwriters Hall of Fame have been announced, honoring some of the most influential figures in music history. This year's class includes legendary acts such as The Doobie ...
Split Enz at the Nambassa festival, New Zealand, January 1979 True Colours Tour, Commodore Ballroom. Split Enz were a New Zealand band formed in 1972. Regarded as the first New Zealand band to gain significant recognition outside of Australasia, [2] they were initially noted for their progressive/art rock sound, flamboyant visual style and theatrical performances.