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In practice, perceptual art may be interpreted as the engagement of multi-sensory experiential stimuli combined with the multiplicity of interpretive meanings on the part of an observer. Sometimes, the role of observer is obscured as members of the public may unwittingly or unknowingly be participants in the creation of the artwork itself.
In her 1970 book Meaning and Expression: Toward a Sociology of Art, Hanna Deinhard gives one approach: "The point of departure of the sociology of art is the question: How is it possible that works of art, which always originate as products of human activity within a particular time and society and for a particular time, society, or function -- even though they are not necessarily produced as ...
The existentialist philosopher Jean-Paul Sartre introduced the concept of the gaze [a] in his 1943 book Being and Nothingness; the idea is that the act of gazing at another human being creates a subjective power difference, which is felt both by the "gazer" and by the "gazed", because the person being gazed at is objectified – perceived as an object, not as a human being.
In critical theory, philosophy, sociology, and psychoanalysis, the gaze (French: le regard), in the figurative sense, is an individual's (or a group's) awareness and perception of other individuals, other groups, or
Visual sociologists can categorize and count them; ask people about them; or study their use and the social settings in which they are produced and consumed. So the second meaning of visual sociology is a discipline to study the visual products of society—their production, consumption and meaning.
While art historians are clearly interested in some of the same objects and processes, visual anthropology places these artifacts within a holistic cultural context. Archaeologists, in particular, use phases of visual development to try to understand the spread of humans and their cultures across contiguous landscapes as well as over larger areas.
Each functional component of an umwelt has a meaning that represents the organism's model of the world. These functional components correspond approximately to perceptual features, [6] as described by Anne Treisman. It is also the semiotic world of the organism, including all the meaningful aspects of the world for any particular organism. It ...
By utilizing such behaviors, those who partake in impression management are able to control others' perception of them or events pertaining to them. Impression management is possible in nearly any situation, such as in sports (wearing flashy clothes or trying to impress fans with their skills), or on social media (only sharing positive posts).