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Web of Make Believe: Death, Lies and the Internet is an anthology true crime docuseries, directed by Brian Knappenberger, [1] released on Netflix [2] on June 15, 2022. The series explores instances of digital misinformation and its consequences.
The documentary film We Are Legion (2012) was written and directed by Knappenberger. It is about the workings and beliefs of the self-described hacktivist collective Anonymous. [2] In June 2014, The Internet's Own Boy: The Story of Aaron Swartz was released. The film is about the life of internet activist Aaron Swartz. [3]
Hacker (theatrically released as Anonymous [1]) is a 2016 crime thriller, directed by Akan Satayev, about a group of young hackers who got involved with an online crime group and black market dealers across Toronto, Hong Kong, New York, and Bangkok. [2]
Netflix has a fantastic collection of documentaries or docuseries, from gripping true-crime tales to eye-opening environmental exposés to intimate looks into the lives of your favorite musical ...
On April 2, 2011 Anonymous launched an attack on the media giant Sony, named #opsony, as a part of Operation Payback. Anonymous claims the attack a success after they took down the PlayStation Network and other related PlayStation Websites. Anonymous' actions also included personal harassment of employees and their families.
Nothing makes me cry like a good documentary.There's a new one on Netflix, titled Daughters, that features a father-daughter dance between young girls and their incarcerated loved ones.The film ...
Charlotte Laws started a campaign to try to take it down after her daughter's nude photos were shared on the website. [3] The documentary is separated into three episodes. It is directed by Rob Miller, an employee of Netflix. The three episodes are made up of interviews of the main roles in the site except Hunter Moore. Hunter originally was ...
The Antisocial Network: Memes to Mayhem (or simply The Antisocial Network) is a 2024 documentary film directed by Arthur Jones and Giorgio Angelini that explores the intersection of internet culture and real-world politics. It was released as a follow-up to Jones' previous work, Feels Good Man.