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The English modal verbs consist of the core modals can, could, may, might, must, shall, should, will, would, as well as ought (to), had better, and in some uses dare and need. [20] These do not inflect for person or number, [ 20 ] do not occur alone, and do not have infinitive or participle forms (except synonyms, as with be/being/been able (to ...
The English modal auxiliary verbs are a subset of the English auxiliary verbs used mostly to express modality, properties such as possibility and obligation. [a] They can most easily be distinguished from other verbs by their defectiveness (they do not have participles or plain forms [b]) and by their lack of the ending ‑(e)s for the third-person singular.
Generally, however, will is far more common than shall. Use of shall is normally a marked usage, typically indicating formality or seriousness and (if not used with a first person subject) expressing a colored meaning as described below. In most dialects of English, the use of shall as a future marker is viewed as archaic. [9]
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The song, in the context of Shall We Dance, notes some of the things that Peter (Astaire) will miss about Linda (Rogers). The lyrics include "the way you wear your hat, the way you sip your tea", and "the way you hold your knife, the way we danced till three". Each verse is followed by the line "no, no, they can't take that away from me".
As for shall vs should, my (northwestern US) ears prefer shall but the difference is very slight. Shall focuses on your magnimony, and you may already be half-standing when you say it. Should focuses on your social obligation, and you may have no intention of opening the window unless the other person says "yes".
I Shall Wear Midnight is a comic fantasy novel by English writer Terry Pratchett, set on the Discworld. It is the fourth novel within the Discworld series to be based on the character of Tiffany Aching. It was published on 2 September 2010 in the United Kingdom, and on 28 September in the United States, and won the 2010 Andre Norton Award. [1]
The Hat Makes the Man (1920) is a collage by the German dadaist/surrealist Max Ernst. It is composed of cut out images of hats from catalogues linked by gouache and pencil outlines to create abstract anthropomorphic figures. There are inscriptions in ink that read "seed-covered stacked-up man seedless waterformer ('edelformer') well fitting ...