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Telugu Alankaram is a figure of speech which means ornaments or embellishments which are used to enhance the beauty of the poems. There are two types of Alankarams, 'Shabdalankaram' which primarily focuses on Sound and 'Arthalamkaram' which focuses on meaning. These two alankarams are further broken down in to different categories.
Telugu script (Telugu: తెలుగు లిపి, romanized: Telugu lipi), an abugida from the Brahmic family of scripts, is used to write the Telugu language, a Dravidian language spoken in the Indian states of Andhra Pradesh and Telangana as well as several other neighbouring states.
But when you read Viswanatha Satyanarayana’s Ramayana Kalpavruksham it is like reading a book set in a land of the Telugus. You get an impression that Lord Rama is a Telugu and the place where the epic unfolds is Telugu land. The food served is Telugu cuisine and the entire epic is filled with Telugu nativity.” [17]
The Telugu–Kannada script (or Kannada–Telugu script) was a writing system used in Southern India. Despite some significant differences, the scripts used for the Telugu and Kannada languages remain quite similar and highly mutually intelligible. Satavahanas and Chalukyas influenced the similarities between Telugu and Kannada scripts. [3]
Telangana Telugu, (Telangana slang or Telangana yaasa) often referred to as Hyderabadi Telugu (Telugu: హైదరాబాదీ తెలుగు) is a dialect of the Telugu language. It has its own history, spoken mostly in the Indian state of Telangana . [ 2 ]
Mahakavi Nandi Thimmana (Telugu: నంది తిమ్మన; c. 15th and 16th centuries CE) was a Telugu poet and an Ashtadiggaja in the imperial court of Emperor Krishnadevaraya of Vijayanagara. He is often called Mukku Thimmana (lit. ' Thimmana of the nose ') after his celebrated poem on a woman's nose.
His writing style was mostly Telugu, unlike Nannayya whose work was mostly sanskritized. Tikkana used Telugu words even to express very difficult ideas. He used Telugu words and parables extensively. [citation needed] In the colophons of his work, Tikkana calls himself "a friend to both [kinds of] poets" (Ubhaya-kavi-mitra).
Traditionally, Telugu literary works were written in a highly stylistic language with complicated words and meter; these works could only be understood by the educated elite. Gurajada's mission was to reach out to the masses, so he broke with tradition (he called the literary dialect "doubly dead" in his preface) and wrote in the vibrant and ...