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HandBrake is a free and open-source transcoder for digital video files. It was originally developed in 2003 by Eric Petit to make ripping DVDs to a data storage device easier. [ 3 ]
TTA – Lossless compression; WavPack – Hybrid lossy/lossless; Bonk – Hybrid lossy/lossless; supported by fre:ac (formerly BonkEnc) Apple Lossless – Lossless compression (MP4) Fraunhofer FDK AAC – Lossy compression (AAC) FFmpeg codecs in the libavcodec library, e.g. AC-3, AAC, ADPCM, PCM, Apple Lossless, FLAC, WMA, Vorbis, MP2, etc.
Video converter Developer License Supported platform Windows Mac OS X Linux Any Video Converter: Anvsoft Inc. Freeware: Yes: Yes: No Avidemux: Mean, Gruntster, Fahr: GPL-2.0-or-later: Yes: Yes: Yes Dr. DivX: DivX, Inc. Adware bundled 15-day trial: Yes: Yes: No DVDVideoSoft Free Studio: DVDVideoSoft: Shareware (requires paid membership for basic ...
An audio conversion app (also known as an audio converter) transcodes one audio file format into another; for example, from FLAC into MP3. It may allow selection of encoding parameters for each of the output file to optimize its quality and size.
Compressor (Mac OS X) MPEG Video Wizard DVD (Windows) ProCoder (Windows) QuickTime Pro (Mac OS X, Windows) Roxio Creator (Windows) Sorenson Squeeze; Telestream Episode (Mac OS X, Windows) TMPGEnc (Windows) Wowza Streaming Engine with included Wowza Transcoder feature (Linux, Mac OS X, Windows) Zamzar - Premium service (Web application) Zencoder ...
This is a list of free and open-source software (FOSS) packages, computer software licensed under free software licenses and open-source licenses.Software that fits the Free Software Definition may be more appropriately called free software; the GNU project in particular objects to their works being referred to as open-source. [1]
The following is a list of Mac software – notable computer applications for current macOS operating systems. For software designed for the Classic Mac OS , see List of old Macintosh software . Audio software
The 'Music' category is merely a guideline on commercialized uses of a particular format, not a technical assessment of its capabilities. For example, MP3 and AAC dominate the personal audio market in terms of market share, though many other formats are comparably well suited to fill this role from a purely technical standpoint.