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Las 30 Cumbias Más Pegadas (English: The 30 Best Cumbias) is a compilation album featuring music from Los Angeles Azules, Los Askis, Rayito Colombiano, Grupo Latino, Grupo Maracuya, Los Llayras, Mr. Chivo, Aniceto Molina, Super Grupo G, La Tropa Vallenata, Los Vallenatos, Yahari, among others.
Baladas en Español was released on 21 October 1996, [3] exclusively in Spanish and Portuguese-speaking territories. However, it was also released in the US by EMI Latin, making it the final Roxette album to be officially issued in the country. [4]
"Vuelve" was penned by Venezuelan singer-songwriter Franco De Vita, while its production was handled by KC Porter and Rosa. [7] A Spanish language power ballad and Latin pop song with "slow rock harmonies", [23] [24] [25] it is a "sultry" romantic love song with a gospel chorus.
The song "Que nadie sepa mi sufrir", was composed in 1936 by Ángel Cabral, with Spanish lyrics by Enrique Dizeo, both of Argentine origin, as a Peruvian waltz.Peruvian waltz, also known as vals criollo ("creole waltz"), was a popular genre in Hispanic America between the 1930s and 1950s, and the song, initially covered by Argentine singer Hugo del Carril, became a regional hit.
El Musical de tus Sueños was an alternate Argentine season of Bailando por un Sueño. In place of the traditional format of couples, each celebrity danced, sang and acted with a team of 5 dancers and one professional dancer. Each week they had to portray a different theme (love, fantasy, etc.).
The band has released several albums since its formation in November 1999, and in 2007 was nominated for a Latin Grammy for their album, Ahora Y Siempre. [citation needed] Their hits "Si Yo Fuera Tu Amor" and "Por Tu Amor" reached #2 and #4, respectively, on Billboard's Latin Regional Mexican Airplay chart.
The Cancionero de Palacio (Madrid, Biblioteca Real, MS II–1335), or Cancionero Musical de Palacio (CMP), also known as Cancionero de Barbieri, is a Spanish manuscript of Renaissance music. The works in it were compiled during a time span of around 40 years, from the mid-1470s until the beginning of the 16th century, approximately coinciding ...
Norteño or Norteña (Spanish pronunciation: [noɾˈteɲo], northern), also música norteña, is a subgenre of regional Mexican music. The music is most often based on duple and triple metre and its lyrics often deal with socially relevant topics, although there are also many norteño love songs.