Search results
Results from the WOW.Com Content Network
Many cultures have a period or style of music that for various reasons is termed classical, e.g. Indian classical music. When writing about the variant of the Western tradition, it can be phrased as Western classical music (the link is a redirect to the Classical music article) to avoid ambiguity.
Examples: List of selection theorems, Women's rights in Haiti. In titles (including subtitles, if any) of English-language works (books, poems, songs, etc.), every word is capitalized except for the definite and indefinite articles, the short coordinating conjunctions, and any short prepositions. This is known as title case.
If the title of a musical group or a recording does not share its title with any other topic in Wikipedia, use the base title, for example the Front Bottoms (not the Front Bottoms (band)), The Vault: Old Friends 4 Sale (not The Vault: Old Friends 4 Sale (Prince album)), or "I Write Sins Not Tragedies" (not "I Write Sins Not Tragedies" (song)).
A title should be a recognizable name or description of the topic, balancing the criteria of being natural, sufficiently precise, concise, and consistent with those of related articles. For formatting guidance see the Wikipedia:Article titles § Article title format section, noting the following:
Allusion is a passing or casual reference; an incidental mention of something, either directly or by implication. [26] This means it is most closely linked to both obligatory and accidental intertextuality, as the 'allusion' made relies on the listener or viewer knowing about the original source.
Allusion differs from the similar term intertextuality in that it is an intentional effort on the author's part. [8] The success of an allusion depends in part on at least some of its audience "getting" it. Allusions may be made increasingly obscure, until at last they are understood by the author alone, who thereby retreats into a private ...
According to Patel [1] research in this area has produced apparently contradictory evidence, and more research is needed to answer this question. The question concerning the kind of structure that features tension and resolution in music is linked very close to the relationship between order and meaning in music.
Examples of the use of a composer's name as the title of a work include: Nicolas Isouard's opera Cimarosa (1808), after the eponymous composer; Albert Lortzing's singspiel Szenen aus Mozarts Leben (1832), on Mozart's life; Robert Schumann named two sections of his piano work Carnaval after Paganini and Chopin