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Appalachian music is the music of the region of Appalachia in the Eastern United States.Traditional Appalachian music is derived from various influences, including the ballads, hymns and fiddle music of the British Isles (particularly Scotland), and to a lesser extent the music of Continental Europe.
Pages in category "Appalachian bogs" The following 9 pages are in this category, out of 9 total. This list may not reflect recent changes. ...
The song was popular among old-time musicians of the Cumberlands before being widely adopted in the bluegrass repertoire. [4] Many variants of "Shady Grove" exist (up to 300 stanzas by the early 21st century). [5] The lyrics describes "the true love of a young man's life and his hope they will wed," [6] and it is sometimes identified as a ...
Appalachians had never used this term to describe their own music. Popular songs whose style bore characteristics of both hillbilly and African American music were referred to as hillbilly boogie and rockabilly. Elvis Presley was a prominent player of rockabilly and was known early in his career as the "Hillbilly Cat".
The song has been recorded by The Pennywhistlers on their 1965 album, A Cool Day and Crooked Corn; [5] by The Young Tradition, live, included on the 1970 compilation album, The Folk Trailer (Trailer LER 2019); [6] by Emmylou Harris on her 1987 album Angel Band; [7] by The Wailin' Jennys on their 2011 album, Bright Morning Stars;, [8] by the Northern Irish folk singer Cara Dillon on her 2014 ...
Appalachians responded to Vance's cultural critique in the form of poems, books, thought pieces and podcasts. In 2019, dozens of Appalachian writers and residents responded to Vance's book with ...
While a cataract bog is host to plants typical of a bog, it is technically a fen, not a bog. Bogs get water from the atmosphere, while fens get their water from groundwater seepage. [11] Cataract bogs inhabit a narrow, linear zone next to the stream, and are partly shaded by trees and shrubs in the adjacent plant communities. [12]
The song was largely unknown outside Shaker communities until Aaron Copland used its melody for the score of Martha Graham's ballet, Appalachian Spring, first performed in 1944. (Shakers once worshipped on Holy Mount , in the Massachusetts portion of the Appalachians).