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Impressionism was a 19th-century art movement characterized by relatively small, thin, yet visible brush strokes, open composition, emphasis on accurate depiction of light in its changing qualities (often accentuating the effects of the passage of time), ordinary subject matter, unusual visual angles, and inclusion of movement as a crucial element of human perception and experience.
The term antonym (and the related antonymy) is commonly taken to be synonymous with opposite, but antonym also has other more restricted meanings. Graded (or gradable) antonyms are word pairs whose meanings are opposite and which lie on a continuous spectrum (hot, cold).
Criticism falls into several overlapping types including "theoretical, practical, impressionistic, affective, prescriptive, or descriptive". [2] Criticism may also refer to an expression of disapproval of someone or something. [1]
Australian impressionist Arthur Streeton painting en plein air, c. 1892 French impressionist painters such as Claude Monet , Camille Pissarro , Alfred Sisley , and Pierre-Auguste Renoir advocated plein air painting, and much of their work was done outdoors in the diffuse light of a large white umbrella.
Coining the term "Impressionism" Louis Leroy (French pronunciation: [lwi ləʁwa]; 1812 - 1885) was a French 19th-century printmaker, painter, and playwright.
The Dutch Tachtigers explicitly tried to incorporate Impressionism into their prose, poems, and other literary works. Much of what has been called "impressionist" literature is subsumed into several other categories, especially Symbolism, its chief exponents being Baudelaire, Mallarmé, Rimbaud, Verlaine and Laforgue, and the Imagists. It ...
When the antiphrasal use is very common, the word can become an auto-antonym, [3] having opposite meanings depending on context. For example, Spanish dichoso [ 4 ] originally meant "fortunate, blissful" as in tierra dichosa , "fortunate land", but it acquired the ironic and colloquial meaning of "infortunate, bothersome" as in ¡Dichosas moscas ...
Theodore Robinson (June 3, 1852 – April 2, 1896) was an American painter best known for his Impressionist landscapes. He was one of the first American artists to take up Impressionism in the late 1880s, visiting Giverny and developing a close friendship with Claude Monet. Several of his works are considered masterpieces of American Impressionism.