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The Virgin and Child with Saint Anne and Saint John the Baptist, sometimes called the Burlington House Cartoon, is a drawing by Leonardo da Vinci. The drawing is in charcoal and black and white chalk, on eight sheets of paper that are glued together. Because of its large size and format the drawing is presumed to be a cartoon for a painting. [1]
The cartoon of Saint Anne, the Virgin and the Child Jesus is part of the Christian iconographic theme of the "Trinitarian Saint Anne", in which the Child Jesus, his mother Mary and his grandmother Anne are depicted together. [5] The painting of The Virgin and Child with Saint Anne was Leonardo da Vinci's first work to depict the subject. [6]
Hubbell had moved to Paris, France to study painting at the Académie Julian under William-Adolphe Bouguereau, Jean-Joseph Benjamin-Constant, and Jean-Paul Laurens. [2] He painted and exhibited Mother and Child before leaving to study with James Abbott McNeill Whistler at the Académie Carmen , [ 3 ] [ 4 ] and it is painted in the style of ...
By 1756, the husband-and-wife team had printshops in Fleet Street and the Strand. [4] Mary was the sole manager of the branch at "The Acorn, Ryders Court (Cranbourne Alley), Leicester Fields." [6] Mary advertised in the daily papers in her own name as "etcher and publisher." [6] She was one of the first professional caricaturists in England. [13]
Tarrant never married, but made many loyal and enduring friends, both through her painting and her church membership. [3] Much of her life centred on the activities of her parish church. She helped arrange sales of work for the Church Missionary Society and at one time provided her car and acted as driver for the Vicar, who had no car of his own.
She produced postcards depicting gumnut babies in uniform to support Australia's role in World War One at this time. [25] Gibbs' first book about the gumnut babies, titled Gumnut Babies, was published in 1916. It was soon followed, in 1918, by her most famous work, Snugglepot and Cuddlepie. [26] Gibbs wrote many books on the theme of the gumnut ...
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The focus was to be on Marie Antoinette as a queen and, more importantly, a mother; [2] as such, the painting shows her surrounded by her children and wearing little jewellery. [ 3 ] [ 4 ] To further engage the public's sympathy, Vigée Le Brun left an empty cradle in the place of the queen's youngest child, Sophie-Hélène-Béatrix , who died ...