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Bernardino Luini, Holy Family with Saint Anne and the infant John the Baptist Francesco Melzi, Vertumnus and Pomona. Although apparently not being developed into a painting by Leonardo, the drawing was used as a source for the paintings of others. A painting based on the cartoon was made by Bernardino Luini. He was a pupil of Leonardo.
Dated between 1500 and April 1501, this is the second of three cartoons the painter needed to create the painting The Virgin and Child with Saint Anne in the Louvre: it follows the abandoned Burlington House cartoon by a few months, and precedes by a year to a year and a half the equally lost cartoon from which the Louvre painting is derived.
The idea of depicting the Mother of God with her own mother was therefore particularly close to Leonardo's heart, because he, in a sense, had "two mothers" himself. In both versions of the composition (the Louvre painting and the London cartoon) it is hard to discern whether Saint Anne is a full generation older than Mary.
The Cholmondeley Ladies (pronounced / ˈ tʃ ʌ m l i / CHUM-lee) is an early-17th-century English oil painting depicting two women seated upright and side by side in bed, each holding a baby. Measuring 88.6 by 172.3 centimetres (34.9 in × 67.8 in), it was painted on four joined panels of oak, probably in the first decade of the 17th century.
Art historians Valeriano Bozal and Nigel Glendinning arrange the series in four groups, [8] [9] whereas Janis Tomlinson places them in seven. [10] The Goya catalogue of the Museo del Prado is closer to Tomlinson than to Bozal or Glendinning, but attempts to reconcile the two positions by grouping the cartoons into five sequences.
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The Sunbonnet Babies Book – Eulalie Osgood Grover and Bertha L. Corbett 1902; The Sunbonnet Babies Primer – 1902; The Overall Boys: a first reader – 1905; The Sunbonnet Babies at Work, at Play – 1906; The Sunbonnet Babies in Italy – 1922; The Sunbonnet Babies in Mother Goose Land – 1927; The Sunbonnet Babies A-B-C Book A Modern Horn ...
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