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Etching by Daniel Hopfer, who is believed to have been the first to apply the technique to printmaking. Etching is traditionally the process of using strong acid or mordant to cut into the unprotected parts of a metal surface to create a design in intaglio (incised) in the metal. [1] In modern manufacturing, other chemicals may be used on other ...
Hundred Guilder Print. The Hundred Guilder Print, c.1647-1649, State 2 of 2. 278 x 388 mm. The Hundred Guilder Print is an etching with drypoint by Rembrandt, measuring 278 x 388 mm (platemark). [1] The etching's popular name derives from the large sum of money supposedly charged for it. It is also called Christ healing the sick, [2] Christ ...
The following is a list of etchings by the Dutch painter and etcher Rembrandt, with the catalogue numbers of Adam Bartsch. Each change or addition to the plate that can be seen in a print is referred to as a 'state' of the print.
Overview. [edit] Printmaking techniques are generally divided into the following basic categories: Relief, where ink is applied to the original surface of the matrix, while carved or displaced grooves are absent of ink. Relief techniques include woodcut or woodblock, wood engraving, linocut and metalcut.
Etching revival. The etching revival was the re-emergence and invigoration of etching as an original form of printmaking during the period approximately from 1850 to 1930. The main centres were France, Britain and the United States, but other countries, such as the Netherlands, also participated. A strong collector's market developed, with the ...
A proof of an etching by Hubert von Herkomer, without text, which would appear in the empty rectangular portion of the page above the artist's signature.. The term "proof" is generally, but not consistently, applied only to prints from the late eighteenth-century onwards, beginning with the English mezzotinters, who began the practice of issuing small editions of proofs for collectors, often ...
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