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For a note in 4/4 time, "whole" means an entire (or 'whole') measure of beats: 4 beats. In 3/4 time, though, a whole note would be written as a dotted half note tied to a quarter note. For a rest, "whole" always means an entire measure. That symbol hanging from the second line means "Do not play at all during this measure."
Since it is equal to four quarter notes, it occupies the entire length of a measure in 4 4 time. Other notes are multiples or fractions of the whole note. For example, a double whole note (or breve) lasts twice the duration of the whole note, a half note lasts one half the duration, and a quarter note (or crotchet) lasts one quarter the duration.
This allows for the note range of B standard tuning without transposing E standard guitar chords down two and a half steps down. Baritone 7-string guitars are available which features a longer scale-length allowing it to be tuned to a lower range. Standard 7-string tuning – B'-E-A-d-g-b-e' Standard tuning for a seven-string guitar.
4 is used so often that it is also called "common time", and it may be indicated with rather than numbers. Other frequently used time signatures are 3 4 (three beats per bar, with each beat being a quarter note); 2 4 (two beats per bar, with each beat being a quarter note); 6 8 (six beats per bar, with each beat being an eighth note) and 12
The diagonal movement of chords is especially simple for the regular tunings that are repetitive, in which case chords can be moved vertically: Chords can be moved three strings up (or down) in major-thirds tuning, and chords can be moved two strings up (or down) in augmented-fourths tuning. Regular tunings thus appeal to new guitarists and ...
[1] [4] The note layouts on the fretboard of a guitar tuned in perfect 4ths, with arrows that show where the same note continues on a higher-pitched string. All adjacent strings have the same interval and repeat at the 5th fret, unlike standard guitar tuning which has an inconsistency between the 2nd and 3rd strings. Among regular tunings, this ...
[50] [h] The standard-tuning implementation of a C7 chord is a second-inversion C7 drop 2 chord, in which the second highest note in a second inversion of the C7 chord is lowered by an octave. [ 50 ] [ 52 ] [ 53 ] Drop-two chords are used for sevenths chords besides the major–minor seventh with dominant function, [ 54 ] which are discussed in ...
An inverted chord is a chord with a bass note that is a chord tone but not the root of the chord. Inverted chords are noted as slash chords with the note after the slash being the bass note. For instance, the notation C/E bass indicates a C major triad in first inversion i.e. a C major triad with an E in the bass.
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