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The song was next played on 29 January; while Lennon sang "Peggy Sue Got Married", he forgot the lyrics and instead substituted those of "Thinking of Linking". [ 19 ] In 1994, in anticipation of their upcoming project The Beatles Anthology , the three remaining ex-Beatles, McCartney, Harrison and Ringo Starr , [ 20 ] planned to record a version ...
Both John Lennon and Paul McCartney identified "I'll Cry Instead" as having been written entirely by Lennon. [1] Lennon wrote the song for inclusion in the Beatles' 1964 film, A Hard Day's Night, [2] intended for use in the film's "break out" and open field sequence.
"She Said She Said" is in the key of B ♭ Mixolydian, based on three chords: B ♭ (I), A ♭ (♭ VII), and E ♭ (IV). [38] The key centre shifts to E ♭ major during the bridge sections by means of an F minor (v) chord, a pivot chord that the Beatles had used to modulate to the subdominant before on "From Me to You" and "I Want to Hold ...
As eventually recorded, "Mustard" originally was to end in the chord of D major—this would have led into the next track in the climactic medley, "Her Majesty". However, since the latter song was moved to the end of the album, "Mustard" instead hard-edits into " Polythene Pam ", and thus the final note of "Mustard" would open "Her Majesty" as ...
Incomplete when first brought into EMI Studios on Tuesday 2 June 1964, [6] Paul McCartney suggested an idea for the middle eight section based solely on chords, which was recorded with the intention of adding lyrics later. But by the time it was needed to be mixed, the middle eight was still without words and that is how it appears on the LP. [5]
The frequent use of added sixth chords in the song accentuate its dreamlike feel. [7] The song also has an example of major 9th harmony in the Cmaj 9 chord on "Here comes the Sun King"; here, above the tonic C major triad , both B (seventh) and D (ninth) combine in the vocals "to form a suitably lush fanfare for the monarch himself."
A "brutally scraped" F 7 ♯ 9 features in the chorus of "Tame" against the three chord rhythm guitar part's D, C, and F chords. [27] Use as a primary or tonic chord in funk and disco of the 1970s includes Heatwave's "Boogie Nights". [10] Stevie Ray Vaughan, a devotee of Hendrix, used the chord extensively.