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The French sense of arabesque: a Savonnerie carpet in the Louis XIV style, c.1685–1697, wool, Metropolitan Museum of Art, New York City Design of a Louis XVI style arabesque, by Étienne de La Vallée Poussin, c.1780–1793, pen and gray and brown ink, brush and colored wash, Metropolitan Museum of Art The "Arabesque Room" in the Catherine ...
Simply make a habit of cleaning the fireplace surround with water and a mild cleaner to keep the stone free of dust, dirt, and soot. Additionally, consider doing a deep clean once or twice a year ...
Stone relief with arabesques of tendrils, palmettes and half-palmettes in the Umayyad Mosque at Damascus. The Islamic arabesque is a form of artistic decoration consisting of "rhythmic linear patterns of scrolling and interlacing foliage, tendrils" or plain lines, [13] often combined with other elements.
[1]: 231 Jonathan Bloom cites the glazed tiles on the minaret of the Kutubiyya Mosque, dating from the mid-12th century, as the earliest reliably-dated example of zellij in Morocco. [14]: 26 The individual tile pieces are large, allowing the pattern to be visible from afar. Each piece was pierced with a small hole prior to being baked so that ...
Tiles with some calligraphy in the courtyard of the Süleymaniye Mosque in Istanbul Calligraphic design is omnipresent in Islamic art, where, as in Europe in the Middle Ages , religious exhortations, including Qur'anic verses, may be included in secular objects, especially coins, tiles and metalwork, and most painted miniatures include some ...
Girih tiles are a set of five tiles that were used in the creation of Islamic geometric patterns using strapwork for decoration of buildings in Islamic architecture. They have been used since about the year 1200 and their arrangements found significant improvement starting with the Darb-i Imam shrine in Isfahan in Iran built in 1453.
Grand Neoclassical interior by Robert Adam, Syon House, London Details for Derby House in Grosvenor Square, an example of the Adam brothers' decorative designs. The Adam style (also called Adamesque or the Style of the Brothers Adam) is an 18th-century neoclassical style of interior design and architecture, as practised by Scottish architect William Adam and his sons, of whom Robert (1728 ...
By the 1800s, most new fireplaces were made up of two parts, the surround and the insert. The surround consisted of the mantelpiece and side supports, usually in wood, marble or granite. The insert was where the fire burned, and was constructed of cast iron often backed with decorative tiles.
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