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Karl Johan Schuster (Swedish pronunciation: [ˈjûːan ˈɧʏ̌sːtɛr]; born 1 February 1985), known professionally as Shellback, is a Swedish record producer and songwriter. He was listed as the No. 1 producer of 2012 on Billboard magazine's year end chart, and he also topped the list of their "Top 10 Songwriters Airplay Chart" the same year ...
The following songs have been produced by Shellback. Pages in category "Song recordings produced by Shellback (record producer)" The following 77 pages are in this category, out of 77 total.
Pages in category "Albums produced by Shellback (record producer)" The following 52 pages are in this category, out of 52 total. This list may not reflect recent changes .
This page was last edited on 7 February 2022, at 09:38 (UTC).; Text is available under the Creative Commons Attribution-ShareAlike 4.0 License; additional terms may apply.
For her first project, they were both introduced to fellow Swedish production duo Mattman & Robin, who were being mentored by producer Jason Gill, and began working frequently with Julius' team of newly hired producers. Shellback also got acquainted with two producers Ilya Salmanzadeh and OzGo from production trio Crossfade, alongside Ferari ...
Martin, Shellback, and Payami produced "Style", which was recorded by Michael Illbert and Sam Holland, assisted by Cory Bice, at MXM Studios in Stockholm and Conway Recording Studios in Los Angeles. The song was mixed by Serban Ghenea and John Hanes at MixStar Studios in Virginia Beach , and it was mastered by Tom Coyne at Sterling Sound in New ...
To this end, she enlisted prominent mainstream pop producers, including Swedish hitmakers Max Martin and Shellback; Swift also recruited the former as co-executive producer. [2] Martin and Shellback produced seven out of thirteen tracks on the album's standard edition, [2] and two out of three bonus tracks on the deluxe edition, including "New ...
Swift wrote "I Did Something Bad" with its producers, Max Martin and Shellback. The song has a length of three minutes and fifty-eight seconds. [8] [9] Swift initially developed the track on a piano; in an interview with iHeartRadio, Swift explained that the idea for the production came to her in a dream.