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The flattened pitches of D-flat major correspond to the black keys of the piano, and there is much significant piano music written in this key. Pyotr Ilyich Tchaikovsky's Piano Concerto No. 1 is written in B-flat minor, but the famous opening theme is in D-flat major. Tchaikovsky composed the second movement of Piano Concerto No. 1 also in D-flat.
List of musical scales and modes Name Image Sound Degrees Intervals Integer notation # of pitch classes Lower tetrachord Upper tetrachord Use of key signature usual or unusual ; 15 equal temperament
(Such key signatures are used for so-called theoretical keys which are almost never encountered outside music-theoretical exercises.) [b] Keys with 6 flats and 6 sharps, [c] with 7 flats and 5 sharps [d] and with 5 flats and 7 sharps [e] are enharmonic to one another. Composers will, in most (though not all) cases, choose only one key from each ...
Notes that are shown as sharp or flat in a key signature will be played that way in every octave—e.g., a key signature with a B ♭ indicates that every B is played as a B ♭. A key signature indicates the prevailing key of the music and eliminates the need to use accidentals for the notes that are always flat or sharp in that key. A key ...
Chromatic scale drawn as a circle The diatonic scale notes (above) and the non-scale chromatic notes (below) [2] The twelve notes of the octave—all the black and white keys in one octave on the piano—form the chromatic scale. The tones of the chromatic scale (unlike those of the major or minor scale) are all the same distance apart, one ...
A regular piano cannot play blue notes, but with electric guitar, saxophone, trombone and trumpet, performers can "bend" notes a fraction of a tone sharp or flat to create blue notes. For instance, in the key of E, the blue note would be either a note between G and G ♯ or a note moving between both.
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Each major and minor key has an associated key signature, showing up to seven flats or seven sharps, that indicates the notes used in its scale. Music was sometimes notated with a key signature that did not match its key in this way—this can be seen in some Baroque pieces, [ 1 ] or transcriptions of traditional modal folk tunes.