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19th-Century Music is a triennial academic journal that "covers all aspects of Western art music composed in, leading to, or pointing beyond the "long century" extending roughly from the 1780s to the 1930s." [1] It is published by the University of California Press and was established in 1977. The editor-in-chief is Lawrence Kramer. [2]
19th-Century California Sheet Music: 19th-century, Californian, colour: 2,700 Sheet music published in California between 1852 and 1900, along with related materials such as a San Francisco publisher's catalog of 1872, programs, songsheets, advertisements, and photographs. Images of every printed page of sheet music from eleven locations have ...
In the later decades of the 19th century, the music industry became dominated by a group of publishers and song-writers in New York City that came to be known as Tin Pan Alley. Tin Pan Alley's representatives spread throughout the country, buying local hits for their publishers and pushing their publisher's latest songs.
Thomas Funk publishes Choral Music, a songbook that helps establish the American shape note singing tradition. Funk's descendants will carry on his legacy in founding Ruebush-Kieffer, a publishing company that will be the predecessor of most of the Southern religious music publishing firms of the late 19th and early 20th centuries. [225]
The University of North Carolina at Chapel Hill Music Library contains a collection of approximately 3,500 19th century vocal and instrumental titles of American ...
Hickman and his pianist-arranger, Ferde Grofé, are influential figures, who "are generally given credit for inventing the type of dance band which" dominates American popular music for the first half of the 20th century; they were among the earliest to "write separate music for the reed and brass sections, combining the higher and lower ...
Hubert Parry (back l.), Alexander Mackenzie (front c.) and Charles Villiers Stanford (front r.) in 1910 with Edward German (back r.) and Dan Godfrey (front l.. The English Musical Renaissance was a hypothetical development in the late 19th and early 20th century, when British composers, often those lecturing or trained at the Royal College of Music, were said to have freed themselves from ...
The early music revival in mid 19th century Germany, which by now had the most sophisticated music publishing industry in the world, created a demand for editions with pre-realized continuos since most performers did not know how to realize figured bass any more.