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Oedipus Rex is widely regarded as one of the greatest plays, stories, and tragedies ever written. [21] [22] In 2015, when The Guardian ' s theatre critic Michael Billington, selected what he thinks are the 101 greatest plays ever written, Oedipus Rex was placed second, just after The Persians. [23]
Jones' investigation was first published as "The Œdipus-complex as an Explanation of Hamlet's Mystery: A Study in Motive" (in The American Journal of Psychology, January 1910); it was later expanded in a 1923 publication; [4] before finally appearing as a book-length study (Hamlet and Oedipus) in 1949. [5]
Oedipus (UK: / ˈ iː d ɪ p ə s /, also US: / ˈ ɛ d ə-/; Ancient Greek: Οἰδίπους "swollen foot") was a mythical Greek king of Thebes.A tragic hero in Greek mythology, Oedipus fulfilled a prophecy that he would end up killing his father and marrying his mother, thereby bringing disaster to his city and family.
The Infernal Machine, or La Machine Infernale is a French play by the dramatist Jean Cocteau, based on the ancient Greek myth of Oedipus. [1] The play initially premiered on April 10, 1934 at the Theatre Louis Jouvet in Paris, France, under the direction of Louis Jouvet himself, with costumes and scene design by Christian Bérard. [2]
Oedipus rex is an opera-oratorio by Igor Stravinsky, scored for orchestra, speaker, soloists, and male chorus.The libretto, based on Sophocles's tragedy, was written by Jean Cocteau in French and then translated by Abbé Jean Daniélou into Latin; the narration, however, is performed in the language of the audience.
Oedipus is a fabula crepidata (Roman tragic play with Greek subject) of c. 1061 lines of verse that was written by Lucius Annaeus Seneca at some time during the 1st century AD. It is a retelling of the story of Oedipus, which is better known through the play Oedipus Rex by the Athenian playwright, Sophocles. It is written in Latin.
The 1972 book Anti-Oedipus by Gilles Deleuze and Félix Guattari is "a critique of psychoanalytic normativity and Oedipus" according to Didier Eribon. [63] Eribon criticizes the Oedipus complex described by Freud or Lacan as an "implausible ideological construct" which is an "inferiorization process of homosexuality". [ 64 ]
The Gods Are Not To Blame is a 1968 play and a 1971 novel by Ola Rotimi. [1] An adaptation of the Greek classical play Oedipus Rex, the story centres on Odewale, who is lured into a false sense of security, only to somehow get caught up in a somewhat consanguineous trail of events by the gods of the land.