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The bird takes flight and Vendler regards what follows - the description of the bird in flight - as "the astonishing part of the poem". Vendler notes that the poem typifies Dickinson's "cool eye, her unsparing factuality, her startling similes and metaphors, her psychological observations of herself and others, her capacity for showing herself ...
"Not Waving but Drowning" is a poem by the British poet Stevie Smith.It was published in 1957, as part of a collection of the same title. [1] The most famous of Smith's poems, [2] it gives an account of a drowned man, whose distant movements in the water had been mistaken for waving. [3]
The English word epic comes from Latin epicus, which itself comes from the Ancient Greek adjective ἐπικός (epikos), from ἔπος (epos), [3] "word, story, poem." [ 4 ] In ancient Greek , 'epic' could refer to all poetry in dactylic hexameter ( epea ), which included not only Homer but also the wisdom poetry of Hesiod , the utterances ...
Of all of Keats's poems, "To Autumn", with its catalogue of concrete images, [16] most closely describes a paradise as realized on earth while also focusing on archetypal symbols connected with the season. Within the poem, autumn represents growth, maturation and finally an approaching death. There is a fulfilling union between the ideal and ...
How Doth the Little Crocodile" is a poem by Lewis Carroll that appears in chapter 2 of his 1865 novel Alice's Adventures in Wonderland. Alice recites it while attempting to recall "Against Idleness and Mischief" by Isaac Watts. It describes a crafty crocodile that lures fish into its mouth with a welcoming smile.
The Great Australian Adjective is a humorous poem by English writer and poet W. T. Goodge. It was first published in The Bulletin magazine on 11 December 1897, the Christmas issue of that publication, [ 1 ] [ 2 ] and later in the poet's only collection Hits!
Lines on the Antiquity of Microbes", also known simply as "Fleas", is a couplet commonly cited as the shortest poem ever written, composed by American poet Strickland Gillilan in the early 20th century. [1] The poem reads in full:
The poem is in the form of an allusive riddle whose subject is Eros, the god of love, but where the only hint of his wings is contained in the adjective referring to him, “swift-flying”. [1] These poems and their like were later imitated in Renaissance Neo-Latin verse [ 2 ] and the fashion then spread to vernacular literatures as well.