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Klông pút - Bamboo tube xylophone; hands are clapped near ends of tubes to produce musical tones; Đàn tre ("bamboo instrument") - A hybrid form of the Vietnamese plucked string instrument, similar to a Đàn tính, called a Đàn tre, was created by Nguyễn Minh Tâm, who escaped from Vietnam in 1982 and ultimately settled in Australia ...
Their memorial in the current General Roman Calendar is on November 24 as Saint Andrew Dung-Lac and Companions (Vietnamese: Anrê Dũng-Lạc và các bạn tử đạo), although many of these saints have a second memorial, having been beatified and inscribed on the local calendar prior to the canonization of the group.
Media in category "Vietnamese musical instruments" This category contains only the following file. Ngoc Lu bronze drum.JPG 461 × 492; 68 KB
The traditional music of Vietnam has been heavily influenced by Chinese music, mainly in terms of musical instruments and performance styles. [3] The introduction of American music, particularly rock and roll and pop music, has influenced the development of modern Vietnamese music.
Lorenzo Ruiz and fifteen companions, martyrs (1987, Japan and Philippines) The 117 Vietnamese Martyrs (1988, Vietnam) John Gabriel Perboyre, priest of the Congregation of the Mission and martyr (1996, China) The 120 Martyr Saints of China (2000, China) Rafqa Pietra Choboq Ar-Rayès, Maronite nun (2001, Lebanon)
Andrew Trần Dũng-Lạc (Vietnamese: Anrê Trần An Dũng Lạc, Vietnamese pronunciation: [aːn˧re˧ tɕən˨˩ aːn˧ zuŋ˧˥ lak˧˨]), French: André Dũng-Lạc; c. 1795 – 21 December 1839) was a Vietnamese Roman Catholic priest. He was executed by beheading during the reign of Minh Mạng. He is a saint and martyr of the Catholic ...
Pages in category "Vietnamese Roman Catholic saints" ... This list may not reflect recent changes. * Vietnamese Martyrs; B.
The sáo contains the musical spirit of Vietnamese countryside and its four peaceful seasons. In Vietnam, the people played sáo when resting on the fields or before going to sleep at night. By the end of the 1970s, artists Đinh Thìn and Ngo Nam modernized the sáo by making this 6-finger-hole flute into 10-finger-hole flute, extending its ...