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English concertinas were most popular as parlor instruments for classical music, while German concertinas were more associated with the popular dance music at that time. In the 1850s, the Anglo-German concertina's ability to play both melody and accompaniment led English manufacturers to start developing the various duet systems.
In the English Folk Revival of the 1960s, though the English concertina had been more an art music instrument, it became popular with British folk musicians. Karl Dallas has suggested that the mere presence of 'English' in the name attracted some of the revival's demographic; [6] however the instrument's versatility and portability were also important as factors in the instrument's adoption. [7]
The button layouts are generally the same as the original 20-button German concertinas designed by Carl Friedrich Uhlig in 1834. Within a few years of that date, the German concertina was a popular import in England, Ireland, and North America, due to its ease of use and relatively low price. English manufacturers responded to this popularity ...
Carl Friedrich Uhlig (1789–1874) was a German luthier, known for inventing the German family of concertinas, from which are descended variants such as the Anglo concertina, bandoneón, Carlsfelder concertina, and Chemnitzer concertina.
A Chemnitzer concertina is a musical instrument of the hand-held bellows-driven free-reed category, sometimes called squeezeboxes.The Chemnitzer concertina is most closely related to the bandoneón (German spelling: Bandonion), and more distantly, to the other types of concertinas and accordions.
This list contains musical instruments of symbolic or cultural importance within a nation, state, ethnicity, tribe or other group of people.. In some cases, national instruments remain in wide use within the nation (such as the Puerto Rican cuatro), but in others, their importance is primarily symbolic (such as the Welsh triple harp).
Diatonic button accordion (German make, early 20th century) The term squeezebox (also squeeze box, squeeze-box) is a colloquial expression referring to any musical instrument of the general class of hand-held bellows-driven free reed aerophones such as the accordion and the concertina.
Carl Foerster & Sons was a Milwaukee maker of bandoneóns, concertinas, accordions, reed organs, and roller organs. Founded by German migrants, [1] it was active from at least 1909 through at least the 1920s.
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