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The first part of the book examines the claims made throughout history that Earth and the human species are unique. Sagan proposes two reasons for the persistence of the idea of a geocentric, or Earth-centered universe: human pride in our existence, and the threat of torturing those who dissented from it, particularly during the time of the Roman Inquisition.
This video clip shows a visualization of the three-dimensional structure of the Pillars of Creation. Closer view of one pillar. Pillars of Creation is a photograph taken by the Hubble Space Telescope of elephant trunks of interstellar gas and dust in the Eagle Nebula, in the Serpens constellation, some 6,500–7,000 light-years (2,000–2,100 pc; 61–66 Em) from Earth. [1]
Brazilian writer Ziraldo's 1969 children's book Flicts tells the story of a color of the same name (represented as an earthy shade of beige) that is segregated by the other colors found in the rainbow, flags and elsewhere, because flicts is rare, seen as uncharacteristic, and therefore undervalued; at the end of the book, flicts finds its place ...
"The Colour Out of Space" is a science fiction/horror short story by American author H. P. Lovecraft, written in March 1927. [2] In the tale, an unnamed narrator pieces together the story of an area known by the locals as the "blasted heath" (most likely after a line from either Milton's Paradise Lost or Shakespeare's Macbeth) [3] in the hills west of the fictional town of Arkham, Massachusetts.
First full-disk black-and-white filtered [40] color picture of the Earth. [6] November 10, 1967 ATS-3: First full-disk "true color" [41] picture of the Earth; [42] subsequently used on the cover of the first Whole Earth Catalog. [43] [42] December 21, 1968 Apollo 8: First full-disk image of Earth from space taken by a person, probably by ...
First edition cover art of Ralph Brillhart published by Monarch Books. The Colors of Space is a 1963 science fiction novel by Marion Zimmer Bradley.. The book has been reviewed by P. Schuyler Miller for the Analog Science Fiction and Fact (1964), by Steve Miller for the Science Fiction Review (1983), and also that year by Robert Coulson for the Amazing Science Fiction.
"A Sign in Space": The idea that the galaxy slowly revolves becomes a story about a being who is desperate to leave behind some unique sign of his existence. This story also is a direct illustration of one of the tenets of postmodern theory —that the sign is not the thing it signifies, nor can one claim to fully or properly describe a thing ...
A chemical color is incomprehensible because we don't know its cause. Its appearance is only known from experience and it is not an essential part of the object. Chemical colors result from changes in an object's surface. A slight change in the surface may result in a different color. Color, therefore, is not an essential property of an object.