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Speculative fiction as a category ranges from ancient works to paradigm-changing and neotraditional works of the 21st century. [17] [18] Characteristics of speculative fiction have been recognized in older works whose authors' intentions, or in the social contexts of the stories they portray, are now known.
Science fiction (sometimes shortened to SF or sci-fi) is a genre of speculative fiction, which typically deals with imaginative and futuristic concepts such as advanced science and technology, space exploration, time travel, parallel universes, and extraterrestrial life. It often explores human responses to changes in science and technology.
Genre fiction – fictional works (novels, short stories) written with the intent of fitting into a specific literary genre in order to appeal to readers and fans already familiar with that genre. Also known as popular fiction. Speculative fiction; Genre – science fiction is a genre of fiction.
Amid a terrifying political moment, escapism can be dangerous. But as we celebrate ten years of the Southern Reach trilogy, N.K. Jemisin reminds us that stories can help deconstruct colonial power.
Horror is a genre of speculative fiction that is intended to disturb, frighten, or scare. [1] Horror is often divided into the sub-genres of psychological horror and supernatural horror, which are in the realm of speculative fiction.
1966. "Speculative fiction: stories whose objective is to explore, to discover, to learn, by means of projection, extrapolation, analogue, hypothesis-and-paper-experimentation, something about the nature of the universe, of man, or 'reality'... I use the term 'speculative fiction' here specifically to describe the mode which makes use of the ...
Speculative fiction’s book sales grew 45.3% in 2021 and continue to generate over $590 million in sales yearly, according to a report from Words Rated. While the genre is very successful, the ...
Slipstream fiction has been described as "the fiction of strangeness", [6] or a form of writing that makes "the familiar strange or the strange familiar" through skepticism about elements of reality. [7] Illustrating this, prototypes of the style of slipstream are considered to exist in the stories of Franz Kafka and Jorge Luis Borges. [8]
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